Buch, Englisch, 282 Seiten, Format (B × H): 235 mm x 157 mm, Gewicht: 524 g
The Unexplored and Re-explored Territories
Buch, Englisch, 282 Seiten, Format (B × H): 235 mm x 157 mm, Gewicht: 524 g
Reihe: Routledge Studies in Nineteenth Century Literature
ISBN: 978-1-138-31100-8
Verlag: Taylor & Francis Ltd
For over two hundred years, the Gothic has remained fixed in the European and American imaginations, steadily securing its position as a global cultural mode in recent decades. The globalization of Gothic studies has resulted in the proliferation of new critical concepts and a growing academic interest in the genre. Yet, despite its longevity, unprecedented expansion, and accusations of prescriptiveness, the Gothic remains elusive and without a straightforward definition. Gothic Peregrinations: The Unexplored and Re-explored Territories looks at Gothic productions largely marginalized in the studies of the genre, including the European absorption of and response to the Gothic. This collection of essays identifies landmarks and ley lines in the insufficiently probed territories of Gothic scholarship and sets out to explore its unmapped regions.
This volume not only examines Gothic peregrinations from a geographical perspective but also investigates how the genre has been at odds with strict demarcation of generic boundaries. Analyzing texts which come from outside the Gothic canon, yet prove to be deeply indebted to it, like bereavement memoirs, stories produced by and about factory girls of Massachusetts, and the Mattel Monster High franchise, this volume illuminates the previously unexplored fields in Gothic studies. The chapters in this volume reveal the truly transnational expansion of the Gothic and the importance of exchange – exchange now seen not only as crucial to the genre’s gestation, or vital to the processes of globalization, but also to legitimizing Gothic studies in the global world.
Autoren/Hrsg.
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List of Contents
I. The Gothic Mystique:
Matriarchy, Patriarchy, and the (Fe)Male Condition
- Agnieszka Lowczanin
"A Romance Fit for the Taste of our Era": Anna Mostowska and the first Polish Gothic stories.
- Adriana Raducanu
Under the Sign of Gothic: The Goddess Kali from Mahabharata to Marguerite Yourcenar’s “Kali Beheaded”
- Dorota Filipczak
The Gothic Excess in "The Albanian Virgin" by Alice Munro Read Against The Broken April by Ismail Kadare
- Marta Goszczynska
"A Play of Fear and Laughter": Gothic Excesses in A.S. Byatt’s Possession
II. Look Now: Gothic in Film
- Dorota Babilas
Monstrosity and Suffering in the Roles of Lon Chaney
- Raluca Andreescu
A Portrait of the Artist as a Vampire in Jim Jarmusch’s Only Lovers Left Alive
III. Little Ones Love to Be Afraid
- Sandra Mills
Grotesque Creations: Brutality, Terror and the Puppet Pinocchio
- Aleskandra Mochocka
Gothic, Commodities, and Culture: the Monster High Franchise and the Processes of Incorporation and Excorporation
IV. Gothic Spaces
- Krzysztof Majer
Disturbing "the sleep of substance": Nabokov’s and Millhauser’s Haunted Museums
- Bridget Marshall
Fright Factories: Nineteenth-Century Industrial Gothic
- Joanna Kokot
A Criminal Intrigue in a Gothic Scenery: Castle Skull by John Dickson Carr
V. Gothic Monstrosities
- Stephen Oravec
Monstrous Educators: The Wendol of Michael Crichton’s Eaters of the Dead
- Zofia Kolbuszewska
H. P. Lovecraft, Horrific Creation, and Post-humanism
VI. Transgressing Boundaries and Crossing Borders
- Eva Coupková
Gothic Elements in the Novel Valérie a týden divu by Vítezslav Nezval
- Krzysztof Kosecki
Life, Politics, Science, and Art: Poe’s "Raven" and Its Re-interpretations by Sastre, Witkiewicz, and Pleijel
- Katarzyna Malecka
Stranger than Fiction: Gothic Themes in Bereavement Memoirs of Spousal Loss