August Wilson in Context

Erscheinungsjahr 2025
ISBN: 978-1-009-36321-1
Verlag: Cambridge University Press

Buch, Englisch, 416 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 748 g

Reihe: Literature in Context

August Wilson is one of the twentieth century's most important and acclaimed playwrights. This volume demonstrates Wilson's significance to contemporary theatre, culture, and politics by providing fresh and compelling insights into his life, practices, and contributions as an artist and public intellectual. Across four thematically organized sections, contributors situate Wilson's work in his social, cultural and political contexts, examine ongoing developments in Wilson studies, explore the production contexts of his plays, and explicate his dramaturgical sensibilities and strategies. This is the authoritative guide to Wilson's career and artistic legacy for students, theatre practitioners, and general readers interested in this remarkable figure.

Autoren/Hrsg.

Long, Khalid Y.

Wooden, Isaiah Matthew

Inhaltsverzeichnis

Introduction Khalid Y. Long and Isaiah Matthew Wooden; Part I. Influences and Inspirations: 1. Pittsburgh's Hill District: the people, the places, the history Laurence Glasco; 2. Walking the streets of the city: August Wilson's place in American theatre Heather S. Nathans; 3. August Wilson and the chitlin circuit Rashida Z. and Shaw McMahon; 4. Jorge Luis Borges and August Wilson Paul Devlin; 5. Seeing and being, the part and the whole: the influence of Romare Bearden on August Wilson Jon Dietrick; 6. Of 'manners and rituals': Baldwin, Bullins and the portrayals of Black life Ernest L. Gibson III; 7. August Wilson as predecessor Patrick Maley; Part II. Politics and Debates: 8. August Wilson's women Leticia L. Ridley; 9. Black masculinity and homosocial bonding in August Wilson's dramas J. Ken Stuckey; 10. What is this 'Africa' in August Wilson's plays and scholarship? Sandra L. Richards; 11. 'In my mother's house': August Wilson's portrait of the Black family Sandra G. Shannon; 12. Transformative movements: August Wilson and the great migration Ladrica Menson-Furr; 13. August Wilson wrestles with the Black middle class Lisa B. Thompson; 14. After the reckoning: revisiting August Wilson's 'The Ground on Which I Stand' in the wake of Black Lives Matter Aviva Helena Neff; 15. The enduring charge of August Wilson's 'I want a Black director' Isaiah Matthew Wooden; Part III. Productions and Collaborations: 16. August Wilson at Penumbra Macelle Mahala; 17. August Wilson, Chicago, and the Goodman theatre Megan E. Geigner; 18. From 1984 to 2024: August Wilson on Broadway Christopher Bell; 19. Directing August Wilson on the British stage: Paulette Randall's productions of 'The Piano Lesson' and 'Fences' Lynette Goddard; 20. African American cinematic language and the American century cycle Monica White Ndounou; 21. Creating dangerous music: the August Wilson archive at the University of Pittsburgh Library System Leah Mickens and William Daw; 22. Directing Wilson: a roundtable conversation with Denise Chapman, TammyRa' Jack

Über Autor(innen)

Long, Khalid Y.
Khalid Y. Long is the Associate Dean of Research and Creative Endeavors and Associate Professor of Theatre Arts in the Chadwick A. Boseman College of Fine Arts at Howard University. He is the co-editor of Contemporary Black Theatre and Performance: Acts of Rebellion, Activism, And Solidarity (2023).

Wooden, Isaiah Matthew
Isaiah Matthew Wooden is a scholar-artist, writer, and assistant professor of theatre at Swarthmore College. He is the author of Reclaiming Time: Race, Temporality, and Black Expressive Culture (2025) and co-editor of Tarell Alvin McCraney: Theater, Performance, and Collaboration (2020).