Animation, Plasticity, and Music in Italy, 1770-1830

1. Auflage 2017
ISBN: 978-0-520-28443-2
Verlag: University of California Press

Buch, Englisch, 232 Seiten, Cloth Over Boards, Format (B × H): 236 mm x 162 mm, Gewicht: 454 g

This path-breaking study of stage works in Italian musical performances reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770–1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from this period, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.

Autoren/Hrsg.

Lockhart, Ellen

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassik (ca. 1750-1830)

Inhaltsverzeichnis

Acknowledgments

Introduction
1. Dancing Statues
2. Pimmalione
3. Defining Italy in Haunted Rome
4. Partial Animacy and Blind Listening in Napoleonic Italy
5. Giuditta Pasta and the History of Musical Electrification
Conclusion

Notes
Bibliography
List of Illustrations
Index

Über Autor(innen)

Ellen Lockhart is Assistant Professor of Musicology at the University of Toronto. She has coedited, with James Davies, Sound Knowledge: Music and Science in London, 1789–1851, and her critical edition of Puccini’s La Fanciulla del West is forthcoming.