The Romance of Three Hamlets

Shakespeare through a Chinese Prism
1. Auflage 2024
ISBN: 978-1-032-74691-3
Verlag: Routledge

Buch, Englisch, 112 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 344 g

Through a metaphorical journey of Shakespeare in traditional Chinese theatre, using three Chinese opera productions of Hamlet as signposts, the book discusses the relationship between Shakespeare and Chinese theatrical traditions.

A brief discussion of the Yue-opera Hamlet looks back at the role of Shakespeare in the Chinese discourse of renaissance and re-evaluation of traditions since the early twentieth century. A detailed analysis of the Peking-opera Hamlet shows what is lost and what is gained in the negotiation between Shakespeare and Chinese theatrical traditions, and why. The third Hamlet is an experimental Kun-opera production, leading to a discussion of the potential for Shakespeare and Chinese theatrical traditions to join hands and reach new depths of artistic expression.

The book will attract researchers, students, and enthusiasts of Shakespeare, cross-cultural Shakespearean recreation, Chinese theatrical traditions, and comparative literature.

Zielgruppe

Postgraduate and Professional Reference

Autoren/Hrsg.

Liu, Hao

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker

Inhaltsverzeichnis

I Introduction II Yue-Opera Hamlet and the Dual Tradition III Peking-Opera Hamlet and the Haunted Stage IV Kun-Opera Hamlet and the “I” between Tradition and the Present V Shakespeare and the Ageing Operas on the Scene

Über Autor(innen)

Hao Liu is associate professor of English literature and comparative literature at Tsinghua University. Her research interests are Shakespeare and Chinese literary traditions. Her papers on Shakespeare and Chinese drama have been published in international journals and presented at international conferences.