Media, Technology, and Literature in the Nineteenth Century

Image, Sound, Touch
Neuauflage 2011
ISBN: 978-1-4094-0009-7
Verlag: Taylor & Francis Ltd

Buch, Englisch, 316 Seiten, Format (B × H): 241 mm x 163 mm, Gewicht: 626 g

Reihe: The Nineteenth Century Series

Operating at the intersection where new technology meets literature, this collection discovers the relationship among image, sound, and touch in the long nineteenth century. The chapters speak to the special mixed-media properties of literature, while exploring the important interconnections of science, technology, and art at the historical moment when media was being theorized, debated, and scrutinized. Each chapter focuses on a specific visual, acoustic, or haptic dimension of media, while also calling attention to the relationships among the three. Famous works such as Wordsworth's "I wandered lonely as a cloud" and Shelley's Frankenstein are discussed alongside a range of lesser-known literary, scientific, and pornographic writings. Topics include the development of a print culture for the visually impaired; the relationship between photography and narrative; the kaleidoscope and modern urban experience; Christmas gift books; poetry, painting and music as remediated forms; the interface among the piano, telegraph, and typewriter; Ernst Heinrich Weber's model of rationalized tactility; and how the shift from visual to auditory telegraphic instruments amplified anxieties about the place of women in nineteenth-century information networks. Full of surprising insights and connections, the collection offers new impetus for stimulating historical conversations and debates about nineteenth-century media, while also contributing fresh perspectives on new media and (re)mediation today.

Autoren/Hrsg.

Linley, Dr Margaret

Linley, Margaret

Colligan, Colette

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft

Inhaltsverzeichnis

1: Introduction; Section 1: Image; 2: The Wordsworths' Daffodils; 3: “So that the sense of touch may supply the want of sight”; 4: A Literature of its Own; 5: Kaleidoscopic Vision in Late Victorian Bohemia; Section 2: Sound; 6: A Modern Poetry of Sensation; 7: Visible Sound and Auditory Scenes; 8: Piano, Telegraph, Typewriter; Section 3: Touch; 9: Tactile Modernity; 10: Teleny, the Secret Touch, and the Media Geography of the Clandestine Book Trade (1880–1900); 11: Touching at a Distance; 12: Frankenstein Revisited

Über Autor(innen)

Colette Colligan and Margaret Linley are members of the English Department and Graduate Print Culture Program at Simon Fraser University, Canada.