Li | Painters' Playbooks in the Art Market of Early Modern Amsterdam | Buch | 978-90-485-6451-4 | sack.de

Buch, Englisch, 372 Seiten, Format (B × H): 170 mm x 240 mm

Li

Painters' Playbooks in the Art Market of Early Modern Amsterdam


Erscheinungsjahr 2025
ISBN: 978-90-485-6451-4
Verlag: Amsterdam University Press

Buch, Englisch, 372 Seiten, Format (B × H): 170 mm x 240 mm

ISBN: 978-90-485-6451-4
Verlag: Amsterdam University Press


The art market in seventeenth-century Amsterdam emerged as a competitive, multi-layered arena where artists of all kinds vied for a diverse and expanding clientele. How did this complex market function? And how did individual painters navigate this intricate system, making artistic and business decisions that fuelled the remarkable flourishing of Dutch art?

Painters’ Playbooks explores these questions through a novel socio-spatial lens. Drawing on digital methods, it reveals new patterns in artistic practice and market development in early modern Amsterdam. The book synthesises diverse historical sources to uncover artists’ collective behaviours – or ‘playbooks’ – reflected in their location choices, social networks, and domestic interiors. Moving beyond traditional economic and art-historical explanations, it shows how these playbooks shaped market structure and influenced artistic innovation in the seventeenth century.

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Autoren/Hrsg.


Weitere Infos & Material


Acknowledgements

Table of Contents

List of Figures

Chapter 1: Introduction

Chapter 2: Painters at Home

Chapter 3: 1585-1610

Chapter 4: 1610-1630

Chapter 5: 1630-1650

Chapter 6: 1650-1670

Chapter 7: 1670–1700

Conclusion

The early modern art market as a socio-spatial phenomenon

Appendix I: Data and sources

Appendix II: Deep mapping methodology

Appendix III: Spatial arrangement of art dealers’ homes

Cumulative Bibliography

Index


Li, Weixuan
Dr. Weixuan Li is an art historian and digital humanist who explores seventeenth-century Dutch art, the art market and its global reach through digital methods. She has published on domestic art display, workshop practices, and painting production in the Dutch Republic, and is now examining artistic exchange between the Netherlands and Asia.



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