Abstract Painting and the Minimalist Critiques

Robert Mangold, David Novros, and Jo Baer in the 1960s
1. Auflage 2021
ISBN: 978-1-032-17809-7
Verlag: Routledge

Buch, Englisch, 224 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 395 g

This book undertakes a critical reappraisal of Minimalism through an examination of three key painters: Robert Mangold, David Novros, and Jo Baer. By establishing their substantive engagements with Minimalist discourse, as well as their often overlooked artistic exchanges with their sculptor peers, it demonstrates that painting crucially informed the movement’s development, serving not only as an object of critique but also as a crucible for its most central tenets. It also poses broader disciplinary implications as it historicizes and challenges Minimalism’s "death of painting" critiques that have been so influential to theories of modernism and postmodernism in the visual arts.

Zielgruppe

Postgraduate and Undergraduate

Autoren/Hrsg.

Levy, Matthew L.

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Malerei: Gemälde
• Geisteswissenschaften Kunst Kunst, allgemein Ausstellungskataloge, Museumsführer
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttechniken & Prinzipien
• Geisteswissenschaften Kunst Kunst, allgemein Kunstsammlung, Museen, Ausstellungen
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie

Inhaltsverzeichnis

Introduction; 1. Systemic Painting: A Medium at a Crossroads; 2. Robert Mangold: Minimalist Dialectics; 3. David Novros: Painting in the House of Literalism; 4. Jo Baer: Painting Reframed; Conclusion: Against Endgames

Über Autor(innen)

Matthew L. Levy is Assistant Professor of Art History at Penn State Erie, The Behrend College.