Buch, Englisch, 264 Seiten, Hardback, Format (B × H): 155 mm x 232 mm, Gewicht: 524 g
Reihe: Wisconsin Film Studies
French Cinema under German Control
Buch, Englisch, 264 Seiten, Hardback, Format (B × H): 155 mm x 232 mm, Gewicht: 524 g
Reihe: Wisconsin Film Studies
ISBN: 978-0-299-33980-7
Verlag: University of Wisconsin Press
From 1940 to 1944, the German-owned Continental Films dominated the French film landscape, producing thirty features throughout the Nazi occupation. Charged with producing entertaining and profitable films rather than propaganda, producer Alfred Greven employed some of the greatest French actors and most prestigious directors of the time, including Maurice Tourneur, Henri Decoin, Henri-Georges Clouzot, and Marcel CarnÉ.
Using recently opened archival documents, including reams of testimony from the Épuration (purification) hearings conducted shortly after the war, Christine Leteux has produced the most authoritative and complete history of the company and its impact on the French film industry—both during the war and after. She captures the wide range of responses to the firm from those who were eager to work for a company whose ideology matched their own, to others who reluctantly accepted contracts out of necessity, to those who abhorred the company but felt compelled to participate in order to protect family members from Nazi reprisals. She examines not only the formation and management of Continental Films but also the personalities involved, the fraught and often deadly political circumstances of the period, the critical reception of the films, and many of the more notorious and controversial events.
As Bertrand Tavernier explains in his foreword, Leteux overturns many of the preconceptions and clichÉs that have come to be associated with Continental Films. Published to rave reviews in French and translated by the author into English, this work shatters expectations and will reinvigorate study of a lesser-known but significant period of French film history.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Militärgeschichte
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
Weitere Infos & Material
- Preface
- Prologue
- Chapter 1: Paris, Autumn 1940
- Chapter 2: Alfred Greven
- Chapter 3: The beginnings of a society
- Chapter 4: Early productions
- Chapter 5: Decoin and Greven
- Chapter 6: Henri-Georges Clouzot, scriptwriter
- Chapter 7: Les Inconnus dans la maison (The Strangers in the House)
- Chapter 8: Greven’s empire
- Chapter 9: Leaving Continental
- Chapter 10: The Russians of Billancourt
- Chapter 11: A Trip to Berlin
- Chapter 12: The Harry Baur affair
- Chapter 13: Filming in the afternoon
- Chapter 14: New directors
- Chapter 15: The Caprices affair
- Chapter 16: Richard Pottier
- Chapter 17: Maurice Tourneur
- Chapter 18: La Main du diable (Carnival of Sinners)
- Chapter 19: Maneuvers in a neutral zone
- Chapter 20: Documentaries
- Chapter 21: Le Corbeau (The Raven)
- Chapter 22: Les AnnÉes difficiles (Difficult Years)
- Chapter 23: La Vie de plaisir (Life of Pleasure)
- Chapter 24: Endgame
- Chapter 25: Purge
- Chapter 26: Greven’s last years
- Filmography
- Bibliography