Composition and Cognition

Reflections on Contemporary Music and the Musical Mind
1. Auflage 2019
ISBN: 978-0-520-30509-0
Verlag: University of California Press

Buch, Englisch, 160 Seiten, Cloth Over Boards, Format (B × H): 237 mm x 159 mm, Gewicht: 346 g

Reihe: Ernest Bloch Lectures

In Composition and Cognition, renowned composer and theorist Fred Lerdahl builds on his careerlong work of developing a comprehensive model of music cognition. Bringing together his dual expertise in composition and music theory, he reveals the way in which his research has served as a foundation for his compositional style and how his intuitions as a composer have guided his cognitively oriented theories. At times personal and reflective, this book offers an overall picture of the musical mind that has implications for central issues in contemporary composition, including the recurrent gap between method and result, and the tension between cognitive constraints and utopian aesthetic views of musical progress. Lerdahl’s succinct volume provides invaluable insights for students and instructors, composers and music scholars, and anyone engaged with contemporary music.

Autoren/Hrsg.

Lerdahl, Fred

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Über Autor(innen)

Fred Lerdahl is Fritz Reiner Professor Emeritus of Musical Composition at Columbia University. He is widely recognized both for his chamber music and orchestral compositions and for his writings in music theory and the cognitive science of music.