Lefebvre Landscape and Film

Erscheinungsjahr 2007
ISBN: 978-1-136-33486-3
Verlag: Taylor & Francis
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 394 Seiten

Reihe: AFI Film Readers

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

Autoren/Hrsg.

Lefebvre, Martin

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur

Inhaltsverzeichnis

Illustrations

Acknowledgments

Introduction

1. The Invention of Place: Daniele Huillet and Jean-Marie Straub's Moses and Aaron

Jacques Aumont

2. Between Setting and Landscape in the Cinema

Martin Lefebvre

3. Toward a Genealogy of the American Landscape: Notes on Landscapes in D.W. Griffith (1908-1912)

Jean Mottet

4. The Course of the Empire: Sublime Landscapes in the American Cinema

Maurizia Natali

5. Asphalt Nomadism: The New Desert in Arab Independent Cinema

Laura U. Marks

6. The Inhabited View: Landscape in the Films of David Rimmer

Catherine Russell

7. Sites of Meaning: Gallipoli and Other Mediterranean Landscapes in Amateur Films (c.1928-1960)

Heather Nicholson

8. The Presence (and Absence) of Landscape in Silent East Asian Films

Peter Rist

9. From Flatland to Vernacular Relativity: The Genesis of Early English Screenscrapes

David B. Clarke and Marcus A. Doel

10. Landscape and Archive: Tripes Around the World as Early Film Topic (1896-194)

Antonio Costa

11. A Walk Through Heterotopia: Peter Greenaway's Landscapes by Numbers

Bridget Elliott and Anthony Purdy

12. Landscape and Perception: On Anthony Mann

Tom Conley

13. The Cinematic Void: Desert Iconographies in Michelangelo Antonioni's Zabriskie Point

Matthew Gandy



Contributors

Index

Über Autor(innen)

Martin Lefebvre is Associate Professor in the Mel Oppenheim School of Cinema, Concordia University, Montreal.