Buch, Englisch, 138 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 186 g
Reihe: Focus on Dramaturgy
Performing Verse in Contemporary Theatre
Buch, Englisch, 138 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 186 g
Reihe: Focus on Dramaturgy
ISBN: 978-0-367-70915-0
Verlag: Routledge
The book traces the dramaturgical operation of verse in new writings, musicals, devised performances, multilingual dramas, Hip Hop theatre, films, digital projects, and gig theatre, as well as translations and adaptations of classics and new theatre forms created by Irish, Spanish, Nigerian, Polish, American, Canadian, Australian, British, Russian, and multinational artists. Their verse dramaturgies explore timely issues such as global identities, agency and precarity, global and local politics, and generational and class stories. The development of dramaturgy is discussed with the focus turning to the new stylized approach to theatre, whose arrival Hans-Thies Lehmann foretold in his Postdramatic Theatre, documenting a turning point for contemporary Western theatre.
Serving theatre-makers, scholars, and students working with classical and contemporary verse and poetry in performance contexts; practitioners and academics of aural and oral dramaturgies; voice and verse-speaking coaches; and actors seeking the creative opportunities that verse offers, Dramaturgy of Form reveals verse as a tool for innovation and transformation that is at the forefront of contemporary practices and experiences.
Zielgruppe
Postgraduate and Undergraduate
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterregie, Theaterproduktion
Weitere Infos & Material
Introduction; Chapter 1: Heteroglossia of Verse and Its Dramaturgical Potential; Chapter 2: Verse in Translation and Adaptation; Chapter 3: (No-longer) Ibsen’s "Language of the Gods": Verse and Marginalized Voices; Chapter 4: Verse and New Theatre Forms; Bibliography