Museum Bodies

The Politics and Practices of Visiting and Viewing
1. Auflage 2012
ISBN: 978-1-4094-1861-0
Verlag: Taylor & Francis

Buch, Englisch, 216 Seiten, Format (B × H): 160 mm x 236 mm, Gewicht: 567 g

Museum Bodies provides an account of how museums have staged, prescribed and accommodated a repertoire of bodily practices, from their emergence in the eighteenth century to the present day. As long as museums have existed, their visitors have been scrutinised, both formally and informally, and their behaviour calibrated as a register of cognitive receptivity and cultural competence. Yet there has been little sustained theoretical or practical attention given to the visitors' embodied encounter with the museum. In Museum Bodies Helen Rees Leahy discusses the politics and practice of visitor studies, and the differentiation and exclusion of certain bodies on the basis of, for example, age, gender, educational attainment, ethnicity and disability. At a time when museums are more than ever concerned with size, demographic mix and the diversity of their audiences, as well as with the ways in which visitors engage with and respond to institutional space and content, this wide-ranging study of visitors' embodied experience of the museum is long overdue.

Autoren/Hrsg.

Leahy, Helen Rees

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunstsammlung, Museen, Ausstellungen

Inhaltsverzeichnis

Introduction; Chapter 1 Making a Social Body; Chapter 2 Not Just Looking; Chapter 3 Walking the Museum; Chapter 4 Performing the Museum; Chapter 5 Bodies of Protest; Chapter 6 Disquieting Bodies; epi Epilogue;

Über Autor(innen)

Helen Rees Leahy is a Senior Lecturer and Director of the Centre for Museology, University of Manchester, UK. Previously Helen worked as a curator and museum director for over 12 years, and has organised numerous exhibitions of fine art and design. Helen has published on topics relating to national identity, art collecting, the art market and art criticism, and her work has addressed practices of individual and institutional collecting, in both historical and contemporary contexts, including issues of patronage, display and interpretation.