Buch, Englisch, 294 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 582 g
Buch, Englisch, 294 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 582 g
Reihe: Literary Criticism and Cultural Theory
ISBN: 978-0-367-70114-7
Verlag: Routledge
This volume offers theoretical defnitions of the concept of recycling applied to a multitude of specifc case studies. The reasons why Woolf’s work and authorial fgure lend themselves so well to the notion of recy>cling are manifold: frst, Woolf was a recycler herself and had a personal theory and practice of recycling; second, her work continues to be a
prolifc compost that is used in various ways by contemporary writers and artists; fnally, since Woolf has left the original literary sphere to permeate popular culture, the limits of what has been recycled have ex>panded in unexpected ways. These essays explore today’s trends of fab>ricating new, original artefacts with Woolf’s work, which thus remains completely relevant to our contemporary needs and beliefs
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
- Geisteswissenschaften Literaturwissenschaft Englische Literatur
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
- Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
Weitere Infos & Material
Foreword Mark Hussey
Introduction: On Recycling Virginia Woolf in Contemporary Art and Literature (Anne-Laure Rigeade, Monica Latham and Caroline Marie)
Part I: Recycling and Composting
Chapter 1: Virginia Woolf’s Radical Vision of Recycling (Christine Reynier)
Chapter 2: Virginia Woolf and Compost (Supriya Chaudhuri)
Part II: Recycling Woolf in Visual Arts
Chapter 3: Of Words, Worlds and Woolf: Recycling A Room of One’s Own into Of One Woman or So
(Kabe Wilson and Susan Stanford Friedman)
Chapter 4: Recycling/Upcycling the Iconic Woolf? Negotiating Woolf as a Literary and Feminist Icon in Kabe Wilson’s Of One Woman or So, by Olivia N’Gowfry (Valérie Favre)
Chapter 5: Recycling Virginia Woolf’s Remembrance (Gérard Lebègue and Anne-Laure Rigeade)
Part III: Recycling Woolf On Stage
Chapter 6: Dancing Woolf Back to Life: Woolf Works as Critical and Artistic Recycling (Elisa Bolchi)
Chapter 7: Cooking and Recycling in Irina Brook’s Shakespeare’s Sister ou La Vie Matérielle (Théâtre Nationale de Nice 2015): For a Relational Aesthetics (Pascale Sardin)
Chapter 8: ‘Reading Physical’: Strategies for Recycling and Performing Woolf’s Works in the English Literature Classroom (Jean-Rémi Lapaire)
Part IV: Recycling Woolf as a Textual Icon
Chapter 9: Katharine Smyth’s All the Lives We Ever Lived: Seeking Solace in Virginia Woolf: Recycling Virginia Woolf’s To the Lighthouse as Therapy and Homage (Monica Latham)
Chapter 10: To the Lighthouse: Recycling, Remixing, Iconising (Anne-Laure Rigeade)
Chapter 11: ‘Something Rich and Strange?’: Drowning, Resurfacing and Recycling in Biofiction About Woolf (Bethany Layne)
Part V: Recycling Woolf in Popular Culture
Chapter 12: ‘I Am Made and Remade Continually. Different People Draw Different Words From Me.’ Reading #WoolfLiteraryTattoos as Recycling (Caroline Marie)
Chapter 13: Becoming an Earthly Star: The Popularisation of Virginia Woolf in the World of Virtual Astrology (Cristina Carluccio)
Conclusion: ‘The Words’ (Christine Froula)