LaFountain Theaters of Error

Problems of Performance in German and French Enlightenment Theater
1. Auflage 2018
ISBN: 978-3-319-76632-4
Verlag: Springer International Publishing
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 313 Seiten, eBook

Reihe: Progress in Mathematics

This book offers provocative readings of canonical Enlightenment dramas that reflect and shape the period’s changing understanding of error. With striking interdisciplinary connections to theater treatises as well as works from the philosophical, legal, and medical discourses, it tracks the relocation of error from the moral to the physical realm, a movement that begins with Lessing and continues through the turn of the nineteenth century.

Featuring detailed analyses of Lessing’s
Miß Sara Sampson
, Diderot’s
Le Fils naturel
, Schiller’s
Die Räuber
, and Kleist’s
Die Familie Schroffenstein
alongside rich close readings of diverse primary sources, ranging from previously untranslated acting treatises by Sainte-Albine and Engel to texts from the German
Archiv des Criminalrechts
, this study introduces the reader to new Enlightenment sources and compellingly concludes that ultimately it is no longer evil, but rather bodily irregularities and mistakes in reading the body that become the driving principle of Enlightenment drama.

Zielgruppe

Research

Autoren/Hrsg.

LaFountain, Pascale

Inhaltsverzeichnis

1. Locating and Performing Error.- 2. Error Control in Eighteenth-Century German and French Acting Theory.- 3. Acting, Error, and the Art of Lying in Lessing’s Work.- 4. Encyclopedias of Error: Diderot’s Medicalized Bodies and Communication.- 5. Beyond Sin: Physiologies of Error in Schiller and La Mettrie.- 6. Legal Fallibility and the Drama of Evidence in the Works of Heinrich von Kleist.- 7. Conclusion.

Über Autor(innen)

Pascale LaFountain
is Assistant Professor of German and French at Montclair State University in New Jersey, USA. She received her Ph.D. in German Studies from Harvard University in 2011. Her publications on theater, gender, and performance include articles and book chapters on G. E. Lessing, Heinrich von Kleist, Elfriede Jelinek, and Heiner Müller.