Voice and Voicelessness in Medieval Europe

2015. Auflage 2015
ISBN: 978-1-137-39705-8
Verlag: Palgrave MacMillan Us

Buch, Englisch, 264 Seiten, Format (B × H): 152 mm x 236 mm, Gewicht: 5502 g

Reihe: The New Middle Ages

Twelve medieval scholars from a wide range of disciplines, including law, literature, and religion address the question: What did it mean to possess a voice - or to be without one - during the Middle Ages? This collection reveals how the philosophy, theology, and aesthetics of the voice inhabit some of the most canonical texts of the Middle Ages.

Zielgruppe

Research

Autoren/Hrsg.

Kleiman, Irit Ruth

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Christentum, Christliche Theologie Systematische Theologie Christliche Philosophie
• Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religionsgeschichte
• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Mittelalterliche & Scholastische Philosophie

Inhaltsverzeichnis

Editor's Introduction; Irit Ruth Kleiman

PART I: THE NATURE AND LIMITS OF THE HUMAN: VOICE AND LANGUAGE
1. Locutio Angelica, or Language without Voice; Ghislain Casas
2. Mimicry, Subjectivity, and the Embodied Voice in Anglo-Saxon Bird Riddles; Robert Stanton

PART II: THE SOCIAL BODY: VOICE, AUTHORITY, AND COMMUNITY
3. Ritual Voices and Social Silence: Funerary Lamentations in Byzantium ; Hélène Bernier-Farella
4. Viva voce: Voice and Voicelessness Among Twelfth-Century Clerics ; Bruno Lemesle
5. Abelard and Heloise between Voice and Silence; Babette S. Hellemans

PART III: RHETORIC AND SUBJECTIVITY: POLYPHONIC VOICES
6. The Voice of the Unrepentant Crusader: "Aler m'estuet" by the Châtelain d'Arras; Marisa Galvez
7. Margery's "Noyse" and Distributed Expressivity; Julie Orlemanski
8. The Voice of the Possessed in Late Medieval French Theater; Andreea Marculescu

PART IV: AESTHETIC EXPERIENCES: REPRESENTATIONSOF HUMAN AND DIVINE VOICES
9. "Sanz note" & "sanz mesure": Towards a Pre-Modern Aesthetics of the Dirge; Anna Zayaruznaya
10. Listening for canor in Richard Rolle's Melos amoris; Andrew Albin
11. Mary between Voice and Voicelessness: The Latin Meditationes of Bernard de Rosier; Cédric Giraud
12. Picturing the Voiceless in an Age of Visible Speech; Matthew Shoaf
Bibliography

Über Autor(innen)

Andrew Albin, Fordham University, USA Hélène Bernier-Farella, Université de Cergy-Pontoise, France Ghislain Casas, Ecole Pratique des Hautes Etudes, France Marisa Galvez, Stanford University, USA Cédric Giraud, University of Lorraine, France University of Groningen, Netherlands Bruno Lemesle, University of Burgundy, France Andreea Marculescu, University of California, Irvine, USA Julie Orlemanski, University of Chicago, USA Matthew G. Shoaf, Ursinus College, USA Robert Stanton, Boston College, USA Anna Zayaruznaya, Yale University, USA