Kleespies / Parts Goncharov in the Twenty-First Century

1. Auflage 2021
ISBN: 978-1-64469-700-9
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 264 Seiten

Reihe: Studies in Russian and Slavic Literatures, Cultures, and History

Goncharov in the Twenty-First Century brings Ivan Goncharov’s work into a twenty-first-century critical framework, engaging with approaches from post-colonial and queer studies, theories of genre and the novel, desire, laughter, technology, philosophy, and mobility and travel.

Autoren/Hrsg.

Kleespies, Ingrid

Parts, Lyudmila

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Ethische Themen & Debatten: Zensur
• Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften Semiotik
• Sozialwissenschaften Politikwissenschaft Regierungspolitik Innen-, Bildungs- und Bevölkerungspolitik
• Geisteswissenschaften Literaturwissenschaft Slawische Literaturen Ostslawische Literatur
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Geisteswissenschaften Philosophie Ästhetik

Inhaltsverzeichnis

Table of ContentsContributorsNote on Transliteration and Translation AcknowledgementsIntroduction
Ingrid Kleespies and Lyudmila PartsPart One. The Life of ServiceWriter and Chinovnik: The Case of I. A. Goncharov
Sergei Gus'kovWriter or Censor: I. A. Goncharov’s Service in the Departments of Censorship, and the Evolution of Professional Ethics for Censors and Writers in Russia, in the 1850s and 1860s
Kirill Zubkov Part Two. The Challenges of Philosophy“Oblomovskii Platon”: Platonic Subtexts in Oblomov
Vladimir IvantsovHegel’s Philosophy of History as the Unifying Thread of Goncharov’s Trilogy
Victoria JuharyanLonging, Replacement, and Anti-Economy in Goncharov’s Oblomov
Sonja KoroliovPart Three. The Challenges of Realism: Traditions and Transgressions“Shadows, Dead People, and Specters”: Gothic Aesthetics in Ivan Goncharov’s The Precipice
Valeria SobolThe Queer Nihilist—Queer Time, Social Refusal, and Heteronormativity in Goncharov's The Precipice
Ani Kokobobo and Devin McFaddenPart Four. Author and Imperialist Abroad: Frigate Pallada“I Avoided the Factual Side.”: Fiction and Document in Frigate Pallada
Aleksei BalakinA Russian Observer Catches the London Eye: Envisioning Imperial Modernity in Goncharov’s Frigate Pallada
Ingrid KleespiesWho are You Laughing at? Identity, Laughter, and Colonial Discourse in Goncharov’s Frigate Pallada
Lyudmila PartsWorks CitedIndex

Über Autor(innen)

Kleespies Ingrid:
Ingrid Kleespies is Associate Professor of Russian Studies in the Department of Languages, Literatures, and Cultures at the University of Florida. She is the author of A Nation Astray: Nomadism and National Identity in Russian Literature (2012) and of articles on eighteenth and nineteenth-century Russian literature and culture, with a special focus on Russian Romanticism, travel literature, and symbolic spaces.Parts Lyudmila:
Lyudmila Parts is Professor of Russian at McGill University (Montreal). She is the author of In Search of the True Russia. The Provinces in Contemporary Nationalist Discourse (2018); The Chekhovian Intertext: Dialogue with a Classic (2008); and the editor of The Russian 20th Century Short Story: A Critical Companion (2009). She has published articles on Karamzin, Dostoevsky, Chekhov, contemporary authors, symbolic geography, and Russian travelogue.Ingrid Kleespies is Associate Professor of Russian Studies in the Department of Languages, Literatures, and Cultures at the University of Florida. She is the author of A Nation Astray: Nomadism and National Identity in Russian Literature (2012) and of articles on eighteenth and nineteenth-century Russian literature and culture, with a special focus on Russian Romanticism, travel literature, and symbolic spaces.Lyudmila Parts is Professor of Russian at McGill University (Montreal). She is the author of In Search of the True Russia. The Provinces in Contemporary Nationalist Discourse (2018); The Chekhovian Intertext: Dialogue with a Classic (2008); and the editor of The Russian 20th Century Short Story: A Critical Companion (2009). She has published articles on Karamzin, Dostoevsky, Chekhov, contemporary authors, symbolic geography, and Russian travelogue.