Envisioning Networked Urban Mobilities

Art, Performances, Impacts
1. Auflage 2019
ISBN: 978-0-367-33180-1
Verlag: Routledge

Buch, Englisch, 194 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 319 g

Reihe: Networked Urban Mobilities Series

Envisioning Networked Urban Mobilities brings together scientific reflections on the relations of art and urban mobilities and artistic research on the topic. The editors open the book by setting out the concept grounded in the exhibition curated by Aslak Aamot Kjærulff and refers to earlier work on mobilities and art generated by the Cosmobilities Network. This third volume has two sections, both consisting of short papers and illustrations. The first section is based on artists who were part of the conferences' art exhibition, and the second part is based on theoretical reflections on art and artists.

Autoren/Hrsg.

Kjaerulff, Aslak Aamot

Kesselring, Sven

Peters, Peter

Hannam, Kevin

Fachgebiete

• Geisteswissenschaften Architektur Garten- und Landschaftsarchitektur
• Geisteswissenschaften Architektur Städtebau, Stadtplanung (Architektur)

Inhaltsverzeichnis

Notes on Contributors Preface 1. Networked Urban Mobilities: Art, Performances, Impacts 2. Curating Conversations: Reformulating Questions in Mobilities Arts and Research 3. Reflective Assemblages: Real and Imagined Mobilities in Locative Media Art 4. On Becoming a Parcel: Artistic Interventions as Ways of Knowing Mobile Worlds 5. Listening to Mobility and Location-Based Media: Verdun Music-Route 6. Revealing Roads: The Spectral Sounds of Motorways 7. Developing Colony: Objects for Investigation; Spaces for Conversation 8. (Re)Envisioning the Anti-Urban: Artistic Responses in the Walking With Wordsworth and Basho Exhibition 9. Performative Fungal Strategies: Or How I Stopped Worrying and Started Loving the Network 10. Stop and Go: Investigating Nodes of Transformation and Transition 11. Drawing the Dardanelles: Art History and Mobilities Studies 12. Ghosts of our Consumption: The Debris Project 13. Film Mobilities and Circulation Practices in the Construction of Recent Chilean Cinema 14. The Roberto Cimetta Fund as a Response to Artistic and Cultural Mobility Imbalance 15. Mobile Performing Arts: Facts, Figures, and What They Say About Reality Index

Über Autor(innen)

Aslak Aamot Kjærulff holds a PhD degree in Mobilities and Action Research from Roskilde University, Denmark. He currently organizes a transdisciplinary research and arts organization called Diakron and teach at Roskilde University.

Sven Kesselring is Research Professor in Automotive Management: Sustainable
Mobilities and the director of the Master of Science program Sustainable
Mobilities at Nürtingen-Geislingen University (NGU), Germany. His research
focuses on the sociology of (auto)mobilities, social theory, and the impact
of technology and digitalization on everyday and professional lives. He is
the founder and co-manager of the international Cosmobilities Network and
co-director of the joint PhD program Sustainable Mobility and Mobility Cultures
of TU Munich and NGU. He is co-founder and co-editor of the new
journal Applied Mobilities (Taylor & Francis) and Studies in Mobility and
Transport at Springer VS. He has edited several books including Aeromobilities
(with Saulo Cwerner and John Urry).

Peter Peters is Assistant Professor in the Department of Philosophy in the Faculty of Arts and Social Sciences at Maastricht University, the Netherlands. He is trained as a sociologist and holds a PhD for his dissertation on mobilities in technological cultures, in which he combines insights from social theory and science and technology studies to analyze practices of travel.

Kevin Hannam is Professor of Tourism Mobilities in the Business School at Edinburgh Napier University, UK, and a research affiliate at the University of Johannesburg, South Africa. In 2015/2016 he was awarded a Vice-Chancellor’s International Scholarship to the University of Wollongong, Australia. Previously he was at Leeds Beckett University, UK, and the University of Sunderland, UK.