Optical Media

Berlin Lectures 1999
1. Auflage 2010
ISBN: 978-0-7456-4091-4
Verlag: Polity Press

Buch, Englisch, 332 Seiten, Format (B × H): 151 mm x 229 mm, Gewicht: 393 g

This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation.
After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or "picture-frame" stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations.

In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.

Autoren/Hrsg.

Kittler, Friedrich

Fachgebiete

• Geisteswissenschaften Design Grafikdesign, Kommunikationsdesign
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Presse & Journalismus
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Medienphilosophie, Medienethik, Medienrecht
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Journalismus & Presse
• Technische Wissenschaften Technik Allgemein Technikgeschichte
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Fernsehen & Rundfunk
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Medien & Gesellschaft, Medienwirkungsforschung
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Film, Video, Foto
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Medientheorie, Medienanalyse

Inhaltsverzeichnis

Preliminary Remarks

1. Theoretical Presuppositions

2. Technologies of the Fine Arts

2.1 Camera Obscura and Linear Perspective

2.1.1 Prehistory

2.1.1.1 Greeks and Arabs

2.1.2 Implementation

2.1.2.1 Brunelleschi

2.1.2.2 Alberti

2.1.3 Impact

2.1.3.1 Perspective and Letterpress

2.1.3.2 The Self-Printing of Nature

2.1.3.3 Europe’s Colonial Power

2.2 Laterna Magica and the Age of the World Picture

2.2.1 Magic Lanterns in Action

2.2.2 Implementation

2.2.3 Impact

2.2.3.1 Propaganda

2.2.3.2 Heidegger’s Age of the World Picture

2.2.3.3 Jesuits and Optical Media

2.3.3.4 Travelling People

2.2.3.5 Jesuit Churches

2.2.3.6 Jesuit Theatre

2.3 Enlightenment and Image War

2.3.1 Brockes

2.3.2 Phenomenology from Lambert to Hegel

2.3.3 Ghost Seer

2.3.3.1 Schiller

2.3.3.2 Hoffmann

2.3.4 Romantic Poetry

3. Optical Media

3.1 Photography

3.1.1 Prehistory

3.1.2 Implementation

3.1.2.1 Niépce and Daguerre

3.1.2.2 Talbot

3.1.3 Painting and Photography: A Battle for the Eyeballs

3.2 Film

3.2.1 Preludes

3.2.2 Implementation

3.2.2.1 Marey and Muybridge

3.2.2 Silent Film

3.2.3 Sound Film

3.2.4 Colour Film

3.3 Television

4. Computer

Über Autor(innen)

Friedrich Kittler