Buch, Englisch, 172 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 422 g
Buch, Englisch, 172 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 422 g
Reihe: Participatory Memory Practices
ISBN: 978-1-032-52620-1
Verlag: Taylor & Francis
Drawing on a year-long case study of Glasgow Museums (Scotland), international mini case studies, and interviews with museum professionals, Kist reveals the complex social and technical negotiations that staff participate in to align social media practices with social inclusion work. Kist argues that the staff practices she observed around social media can be usefully understood through the idea of ‘craft’. This reframes staff practices for imagining future museum social media work as iterative, intuitive, and skilled balancing acts. As a craft, staff creatively draw on and work around social media affordances to balance the norms of their social inclusion work with the perceived interests and needs of users and community groups. Understanding the relation between museums’ use of social media and their ability to contribute to social inclusion initiatives is imperative, especially given the increasingly pervasive use of social media across the cultural heritage sector in recent years.
Crafting Museum Social Media for Social Inclusion Work will be valuable for academics, practitioners, and students working in cultural heritage, museum studies, or social work.
Zielgruppe
Postgraduate, Professional Practice & Development, and Undergraduate Advanced
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Kunst, allgemein Kunstsammlung, Museen, Ausstellungen
- Mathematik | Informatik EDV | Informatik Professionelle Anwendung Multimedia
- Mathematik | Informatik EDV | Informatik EDV & Informatik Allgemein Soziale und ethische Aspekte der EDV
- Interdisziplinäres Bibliothekswesen, Informationswissenschaften Bibliothekswesen, Informationswissenschaften, Archivwesen
- Geisteswissenschaften Kunst Kunst, allgemein Ausstellungskataloge, Museumsführer
Weitere Infos & Material
1 Introduction: museum social media as imperfect technologies; 2 Museum social media as socio-technical negotiations; 3 Museum organisational conditions for supporting social media as ‘craft’; 4 Museum social inclusion work and perceptions of social media; 5 Translating museum social inclusion work to social media; 6 Tinkering with social media for social inclusion work; 7 Crafting museum social media for social inclusion work