E-Book
E-Book, Englisch, 1656 Seiten
Kikuchi Japanese History
1. Auflage 2018
ISBN: 978-3-7481-2864-9
Verlag: BoD - Books on Demand
Format: EPUB
Kopierschutz: 6 - ePub Watermark
E-Book, Englisch, 1656 Seiten
ISBN: 978-3-7481-2864-9
Verlag: BoD - Books on Demand
Format: EPUB
Kopierschutz: 6 - ePub Watermark
It is trite to remark that if you wish to know really any people, it is necessary to have a thorough knowledge of their history, including their mythology, legends and folk-lore: customs, habits and traits of character, which to a superficial observer of a different nationality or race may seem odd and strange, sometimes even utterly subversive of ordinary ideas of morality, but which can be explained and will appear quite reasonable when they are traced back to their origin. The sudden rise of the Japanese nation from an insignificant position to a foremost rank in the comity of nations has startled the world. Except in the case of very few who had studied us intimately, we were a people but little raised above barbarism trying to imitate Western civilisation without any capacity for really assimilating or adapting it. At first, it was supposed that we had somehow undergone a sudden transformation, but it was gradually perceived that such could not be and was not the case; and a crop of books on Japan and the Japanese, deep and superficial, serious and fantastic, interesting and otherwise, has been put forth for the benefit of those who were curious to know the reason of this strange phenomenon. But among so many books, there has not yet been, so far as I know, a history of Japan, although a study of its history was most essential for the proper understanding of many of the problems relating to the Japanese people, such as the relation of the Imperial dynasty to the people, the family system, the position of Buddhism, the influence of the Chinese philosophy, etc.
Kikuchi
Japanese History jetzt bestellen!
Autoren/Hrsg.
Weitere Infos & Material
CHAPTER II
JAPANESE MYTHOLOGY
KAMI
THE mythological page of a country's history has an interest of its own apart from legendary relations; it affords indications of the people's creeds and furnishes traces of the nation's genesis. In Japan's mythology there is a special difficulty for the interpreter—a difficulty of nomenclature. It has been the constant habit of foreign writers of Japan's story to speak of an "Age of Gods" (Kami no yo). But the Japanese word Kami* does not necessarily convey any such meaning. It has no divine import. We shall presently find that of the hundreds of families into which Japanese society came to be divided, each had its Kami, and that he was nothing more than the head of the household. Fifty years ago, the Government was commonly spoken of as O Kami (the Honourable Head), and a feudatory frequently had the title of Kami of such and such a locality. Thus to translate Kami by "deity" or "god" is misleading, and as the English language furnishes no exact equivalent, the best plan is to adhere to the original expression. That plan is adopted in the following brief summary of Japanese mythology.
*Much stress is laid upon the point by that most accurate scholar,
Mr. B. H. Chamberlain.
COSMOGONY
Japanese mythology opens at the beginning of "the heaven and the earth." But it makes no attempt to account for the origin of things. It introduces us at once to a "plain of high heaven," the dwelling place of these invisible* Kami, one of whom is the great central being, and the other two derive their titles from their productive attributes. But as to what they produced or how they produced it, no special indication is given. Thereafter two more Kami are born from an elementary reedlike substance that sprouts on an inchoate earth. This is the first reference to organic matter. The two newly born Kami are invisible like their predecessors, and like them are not represented as taking any part in the creation. They are solitary, unseeable, and functionless, but the evident idea is that they have a more intimate connexion with cosmos than the Kami who came previously into existence, for one of them is named after the reed-shoot from which he emanated, and to the other is attributed the property of standing eternally in the heavens.
*The expression here translated "invisible" has been interpreted in the sense that the Kami "hid their persons," i.e., died, but the true meaning seems to be that they were invisible.
Up to this point there has not been any suggestion of measuring time. But now the record begins to speak of "generations." Two more solitary and invisible beings are born, one called the Kami who stands eternally on earth, the other the "abundant integrator." Each of these represents a generation, and it will be observed that up to this time no direct mention whatever is made of sex. Now, however, five generations ensue, each consisting of two Kami, a male and a female, and thus the epithet "solitary" as applied to the first seven Kami becomes intelligible. All these generations are represented as gradually approximating to the exercise of creative functions, for the names* become more and more suggestive of earthly relations. The last couple, forming the fifth generation, are Izanagi and Izanami, appellations signifying the male Kami of desire and the female Kami of desire. By all the other Kami these two are commissioned to "make, consolidate, and give birth to the drifting land," a jewelled spear being given to them as a token of authority, and a floating bridge being provided to carry them to earth. Izanagi and Izanami thrust the spear downwards and stir the "brine" beneath, with the result that it coagulates, and, dropping from the spear's point, forms the first of the Japanese islands, Onogoro. This island they take as the basis of their future operations, and here they beget, by ordinary human processes—which are described without any reservations—first, "a great number of islands, and next, a great number of Kami." It is related that the first effort of procreation was not successful, the outcome being a leechlike abortion and an island of foam, the former of which was sent adrift in a boat of reeds. The islands afterwards created form a large part of Japan, but between these islands and the Kami, begotten in succession to them, no connexion is traceable. In several cases the names of the Kami seem to be personifications of natural objects. Thus we have the Kami of the "wind's breath," of the sea, of the rivers, of the "water-gates" (estuaries and ports), of autumn, of "foam-calm," of "bubbling waves," of "water-divisions," of trees, of mountains, of moors, of valleys, etc. But with very rare exceptions, all these Kami have no subsequent share in the scheme of things and cannot be regarded as evidence that the Japanese were nature worshippers.
*The Kami of mud-earth; the Kami of germ-integration; the Kami of the great place; the Kami of the perfect exterior, etc.
A change of method is now noticeable. Hitherto the process of production has been creative; henceforth the method is transformation preceded by destruction. Izanami dies in giving birth to the Kami of fire, and her body is disintegrated into several beings, as the male and female Kami of metal mountains, the male and female Kami of viscid clay, the female Kami of abundant food, and the Kami of youth; while from the tears of Izanagi as he laments her decease is born the female Kami of lamentation. Izanagi then turns upon the child, the Kami of fire, which has cost Izanami her life, and cuts off its head; whereupon are born from the blood that stains his sword and spatters the rocks eight Kami, whose names are all suggestive of the violence that called them into existence. An equal number of Kami, all having sway over mountains, are born from the head and body of the slaughtered child.
At this point an interesting episode is recorded. Izanagi visits the "land of night," with the hope of recovering his spouse.* He urges her to return, as the work in which they were engaged is not yet completed. She replies that, unhappily having already eaten within the portals of the land of night, she may not emerge without the permission of the Kami** of the underworld, and she conjures him, while she is seeking that permission, not to attempt to look on her face. He, however, weary of waiting, breaks off one of the large teeth of the comb that holds his hair*** and, lighting it, uses it as a torch. He finds Izanami's body in a state of putrefaction, and amid the decaying remains eight Kami of thunder have been born and are dwelling. Izanagi, horrified, turns and flees, but Izanami, enraged that she has been "put to shame," sends the "hideous hag of hades" to pursue him. He obtains respite twice; first by throwing down his head-dress, which is converted into grapes, and then casting away his comb, which is transformed into bamboo sprouts, and while the hag stops to eat these delicacies, he flees. Then Izanami sends in his pursuit the eight Kami of thunder with fifteen hundred warriors of the underworld.**** He holds them off for a time by brandishing his sword behind him, and finally, on reaching the pass from the nether to the upper world, he finds three peaches growing there with which he pelts his pursuers and drives them back. The peaches are rewarded with the title of "divine fruit," and entrusted with the duty of thereafter helping all living people***** in the central land of "reed plains"****** as they have helped Izanagi.
*It is unnecessary to comment upon the identity of this incident with the legend of Orpheus and Eurydice.
**It will be observed that we hear of these Kami now for the first time.
***This is an obvious example of a charge often preferred against the compilers of the Records that they inferred the manners and customs of remote antiquity from those of their own time.
****Again we have here evidence that the story of creation, as told in the Records, is not supposed to be complete. It says nothing as to how the denizens of the underworld came into existence.
*****The first mention of human beings.
******This epithet is given to Japan.
This curious legend does not end here. Finding that the hag of hades, the eight Kami of thunder, and the fifteen hundred warriors have all been repulsed, Izanami herself goes in pursuit. But her way is blocked by a huge rock which Izanagi places in the "even pass of hades," and from the confines of the two worlds the angry pair exchange messages of final separation, she threatening to kill a thousand folk daily in his land if he repeats his acts of violence, and he declaring that, in such event, he will retaliate by causing fifteen hundred to be born.
In all this, no mention whatever is found of the manner in which human beings come into existence: they make their appearance upon the scene as though they were a primeval part of it. Izanagi, whose return to the upper world takes place in southwestern Japan,* now cleanses himself from the pollution he has incurred by contact with the dead, and thus inaugurates the rite of purification practised to this day in Japan. The...
KAMI
THE mythological page of a country's history has an interest of its own apart from legendary relations; it affords indications of the people's creeds and furnishes traces of the nation's genesis. In Japan's mythology there is a special difficulty for the interpreter—a difficulty of nomenclature. It has been the constant habit of foreign writers of Japan's story to speak of an "Age of Gods" (Kami no yo). But the Japanese word Kami* does not necessarily convey any such meaning. It has no divine import. We shall presently find that of the hundreds of families into which Japanese society came to be divided, each had its Kami, and that he was nothing more than the head of the household. Fifty years ago, the Government was commonly spoken of as O Kami (the Honourable Head), and a feudatory frequently had the title of Kami of such and such a locality. Thus to translate Kami by "deity" or "god" is misleading, and as the English language furnishes no exact equivalent, the best plan is to adhere to the original expression. That plan is adopted in the following brief summary of Japanese mythology.
*Much stress is laid upon the point by that most accurate scholar,
Mr. B. H. Chamberlain.
COSMOGONY
Japanese mythology opens at the beginning of "the heaven and the earth." But it makes no attempt to account for the origin of things. It introduces us at once to a "plain of high heaven," the dwelling place of these invisible* Kami, one of whom is the great central being, and the other two derive their titles from their productive attributes. But as to what they produced or how they produced it, no special indication is given. Thereafter two more Kami are born from an elementary reedlike substance that sprouts on an inchoate earth. This is the first reference to organic matter. The two newly born Kami are invisible like their predecessors, and like them are not represented as taking any part in the creation. They are solitary, unseeable, and functionless, but the evident idea is that they have a more intimate connexion with cosmos than the Kami who came previously into existence, for one of them is named after the reed-shoot from which he emanated, and to the other is attributed the property of standing eternally in the heavens.
*The expression here translated "invisible" has been interpreted in the sense that the Kami "hid their persons," i.e., died, but the true meaning seems to be that they were invisible.
Up to this point there has not been any suggestion of measuring time. But now the record begins to speak of "generations." Two more solitary and invisible beings are born, one called the Kami who stands eternally on earth, the other the "abundant integrator." Each of these represents a generation, and it will be observed that up to this time no direct mention whatever is made of sex. Now, however, five generations ensue, each consisting of two Kami, a male and a female, and thus the epithet "solitary" as applied to the first seven Kami becomes intelligible. All these generations are represented as gradually approximating to the exercise of creative functions, for the names* become more and more suggestive of earthly relations. The last couple, forming the fifth generation, are Izanagi and Izanami, appellations signifying the male Kami of desire and the female Kami of desire. By all the other Kami these two are commissioned to "make, consolidate, and give birth to the drifting land," a jewelled spear being given to them as a token of authority, and a floating bridge being provided to carry them to earth. Izanagi and Izanami thrust the spear downwards and stir the "brine" beneath, with the result that it coagulates, and, dropping from the spear's point, forms the first of the Japanese islands, Onogoro. This island they take as the basis of their future operations, and here they beget, by ordinary human processes—which are described without any reservations—first, "a great number of islands, and next, a great number of Kami." It is related that the first effort of procreation was not successful, the outcome being a leechlike abortion and an island of foam, the former of which was sent adrift in a boat of reeds. The islands afterwards created form a large part of Japan, but between these islands and the Kami, begotten in succession to them, no connexion is traceable. In several cases the names of the Kami seem to be personifications of natural objects. Thus we have the Kami of the "wind's breath," of the sea, of the rivers, of the "water-gates" (estuaries and ports), of autumn, of "foam-calm," of "bubbling waves," of "water-divisions," of trees, of mountains, of moors, of valleys, etc. But with very rare exceptions, all these Kami have no subsequent share in the scheme of things and cannot be regarded as evidence that the Japanese were nature worshippers.
*The Kami of mud-earth; the Kami of germ-integration; the Kami of the great place; the Kami of the perfect exterior, etc.
A change of method is now noticeable. Hitherto the process of production has been creative; henceforth the method is transformation preceded by destruction. Izanami dies in giving birth to the Kami of fire, and her body is disintegrated into several beings, as the male and female Kami of metal mountains, the male and female Kami of viscid clay, the female Kami of abundant food, and the Kami of youth; while from the tears of Izanagi as he laments her decease is born the female Kami of lamentation. Izanagi then turns upon the child, the Kami of fire, which has cost Izanami her life, and cuts off its head; whereupon are born from the blood that stains his sword and spatters the rocks eight Kami, whose names are all suggestive of the violence that called them into existence. An equal number of Kami, all having sway over mountains, are born from the head and body of the slaughtered child.
At this point an interesting episode is recorded. Izanagi visits the "land of night," with the hope of recovering his spouse.* He urges her to return, as the work in which they were engaged is not yet completed. She replies that, unhappily having already eaten within the portals of the land of night, she may not emerge without the permission of the Kami** of the underworld, and she conjures him, while she is seeking that permission, not to attempt to look on her face. He, however, weary of waiting, breaks off one of the large teeth of the comb that holds his hair*** and, lighting it, uses it as a torch. He finds Izanami's body in a state of putrefaction, and amid the decaying remains eight Kami of thunder have been born and are dwelling. Izanagi, horrified, turns and flees, but Izanami, enraged that she has been "put to shame," sends the "hideous hag of hades" to pursue him. He obtains respite twice; first by throwing down his head-dress, which is converted into grapes, and then casting away his comb, which is transformed into bamboo sprouts, and while the hag stops to eat these delicacies, he flees. Then Izanami sends in his pursuit the eight Kami of thunder with fifteen hundred warriors of the underworld.**** He holds them off for a time by brandishing his sword behind him, and finally, on reaching the pass from the nether to the upper world, he finds three peaches growing there with which he pelts his pursuers and drives them back. The peaches are rewarded with the title of "divine fruit," and entrusted with the duty of thereafter helping all living people***** in the central land of "reed plains"****** as they have helped Izanagi.
*It is unnecessary to comment upon the identity of this incident with the legend of Orpheus and Eurydice.
**It will be observed that we hear of these Kami now for the first time.
***This is an obvious example of a charge often preferred against the compilers of the Records that they inferred the manners and customs of remote antiquity from those of their own time.
****Again we have here evidence that the story of creation, as told in the Records, is not supposed to be complete. It says nothing as to how the denizens of the underworld came into existence.
*****The first mention of human beings.
******This epithet is given to Japan.
This curious legend does not end here. Finding that the hag of hades, the eight Kami of thunder, and the fifteen hundred warriors have all been repulsed, Izanami herself goes in pursuit. But her way is blocked by a huge rock which Izanagi places in the "even pass of hades," and from the confines of the two worlds the angry pair exchange messages of final separation, she threatening to kill a thousand folk daily in his land if he repeats his acts of violence, and he declaring that, in such event, he will retaliate by causing fifteen hundred to be born.
In all this, no mention whatever is found of the manner in which human beings come into existence: they make their appearance upon the scene as though they were a primeval part of it. Izanagi, whose return to the upper world takes place in southwestern Japan,* now cleanses himself from the pollution he has incurred by contact with the dead, and thus inaugurates the rite of purification practised to this day in Japan. The...
Bitte ändern Sie das Passwort
