Participatory Sound Art

Technologies, Aesthetics, Politics
1. Auflage 2023
ISBN: 978-981-99-6356-0
Verlag: Springer Nature Singapore

Buch, Englisch, 155 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 338 g

Reihe: Palgrave Studies in Sound

This book addresses a major gap in sound art scholarship: the role of audience participation. It offers a survey of participatory sound art from its origins in the historical avant-gardes to the non-institutionalized forms of sonic creativity in contemporary digital culture. In doing so, it proposes an innovative theoretical framework for analysing such phenomena, rooted in Pragmatist aesthetics, affordance theory and postcritique. Combining artwork analyses with qualitative studies, it focuses on three principal aspects of participatory sound art: the ways the materialities of the artworks facilitate and structure the participatory processes; the interplay of the creative agencies of the artists and the participants; and the postcritical approach to sound art’s politics, unfolding through the participants’ affective gestures. In considering these multiple dimensions, this book contributes to the growing fields of sound studies and participation studies, as well as to curatorial practice regarding sound art and participatory art.

Zielgruppe

Research

Autoren/Hrsg.

Keylin, Vadim

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Kommunikationswissenschaften
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Wissenssoziologie, Wissenschaftssoziologie, Techniksoziologie

Inhaltsverzeichnis

Chapter 1: Introduction.- Chapter 2. Histories.- Chapter 3. Discourses.- Chapter 4. Affordances.- Chapter 5. Perspectives.- Chapter 6. Gestures.- Chapter 7. Conclusion.

Über Autor(innen)

Vadim Keylin holds a PhD in Aesthetics and Culture from Aarhus University and is currently a research associate in the ERC project “Poetry in the Digital Age” (University of Hamburg). He has published peer-reviewed articles and book chapters on experimental musical instruments, interactive sound art and sound in participatory culture.