Authority, Advocacy, Legacy
E-Book, Englisch, 358 Seiten
ISBN: 978-1-78744-257-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Autoren/Hrsg.
Weitere Infos & Material
Introduction: The Role of Criticism in Interwar Musical Culture - Christopher Moore and Barbara L. Kelly
Music Criticism and Aesthetics during the Interwar Period: Fewer Crimes and More Punishments - Michel Duchesneau
Nostalgia and Violence in the Music Criticism of L'Action française - Christopher Moore
Charles Koechlin: The Figure of the Expert - Philippe Cathé
Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) - Jann Pasler
Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France - Barbara L. Kelly
Arthur Honegger: Music Critic for Musique et Théâtre (1925-1926) - Pascal Lécroart
A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919-1923 - Kimberly Francis
From a Foreign Correspondent: the Parisian Chronicles of Alejo Carpentier - Caroline Rae
Debussy's 'Reputational Entrepreneurs': Vuillermoz, Koechlin, Laloy, and Vallas - Marianne Wheeldon
The Legacy of War: Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919-1920 - Rachel Moore
Jacinthe Harbec, Satie, Relâche and the Press: Controversies and Legacy - Jacinthe Harbec
Creating a Canon: Émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity - Danick Trottier
Bibliography