Kayes Singing and the Actor

2. Auflage 2012
ISBN: 978-1-136-75986-4
Verlag: Taylor & Francis
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 208 Seiten

Singing and the Actor takes the reader step by step through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including Belting and Twang are explained, with excercises for each topic.

Autoren/Hrsg.

Kayes, Gillyanne

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Andere Darstellende Künste

Inhaltsverzeichnis

Contents Acknowledgements v
Foreword vii
Section 1: HOW THE VOICE WORKS 1
1 How do I make the notes? 2
2 My voice won't come out at auditions 10
3 But I thought I wasn't supposed to feel anything! 17
4 What exactly is support? 27
Section 2: TRAINING YOUR VOICE 41
5 Developing the three octave siren 45
6 The nasal port 57
7 Dynamic control and projection 71
8 Tuning the oral resonator 90
9 Twang, the singer's formant 110
Section 3: WORKING THE TEXT 119
10 Putting it together 120
11 Singing the text 134
12 Creating voice qualities 153
13 The act of singing 175
Afterword 190
Glossary 191
List of exercises and song assignments 193
Index 197
Index of song titles 200

Über Autor(innen)

A leading exponent of Estill Voice Craft, Gillyanne Kayes runs a vocal consultancy, trouble-shooting for teachers and choral directors. Many West End and pop artistes have already benefited from her accurate and practical information about the singing voice. She is much in demand as a seminar leader and workshop facilitator