Kandolkar | Goa's Bom Jesus as Visual Culture | Buch | 978-1-032-48860-8 | sack.de

Buch, Englisch, 186 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 449 g

Kandolkar

Goa's Bom Jesus as Visual Culture

The Basilica's Architecture, Image, History and Identity
1. Auflage 2024
ISBN: 978-1-032-48860-8
Verlag: Routledge India

The Basilica's Architecture, Image, History and Identity

Buch, Englisch, 186 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 449 g

ISBN: 978-1-032-48860-8
Verlag: Routledge India


This book chronicles the visual history of the Basilica of Bom Jesus, one of the longest-surviving churches from Goa’s Portuguese colonial era. In the sixteenth century, this baroque church in Old Goa was constructed to house the sacred relics of St. Francis Xavier and is emblematic of Goa Dourada or Golden Goa.

Despite their early modern origins, monuments like the Basilica continue to influence visual culture that pertains to Goa. Accordingly, this book uncovers the traces of architectural images of Goa’s sixteenth- and seventeenth-century monuments and conducts a genealogical study of how uses of religious architecture shift over time. Thus, even as the Basilica originally functioned to portray or recall a grand empire by evoking the notion of Goa Dourada, its iconicity has been employed in marking Goa’s difference from the rest of India thereafter. By employing an analysis of historical texts, illustrations, photography, film, and pageantry, this volume demonstrates how the image of the Basilica has been employed to create a discourse on Goan identity. In fact, right from the colonial period, when Goa was heralded as the Rome of the East, to the post-Portuguese period, when Goa became an idyllic destination for leisure tourism, architectural images of Bom Jesus have been central in shaping Goa’s identity.

Goa’s Bom Jesus as Visual Culture will be useful to students and educators in the fields of architecture, history, anthropology, sociology, history of architecture, and colonial/postcolonial studies. Finally, the long history of a single monument that the book documents highlights how Goans have been shaping their unique culture. At the same time as Goans imbibed Portuguese and other European influences, they also domesticated and remade such colonial heritage in South Asian fashion and, in turn, contributed to global aesthetics.

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List of Figures. Acknowledgements. 1. Bom Jesus’s Golden (After)Life 2. Monumental Ruins of Goa Dourada: Bom Jesus and the City of Goa, 1510 to 1843 3. Resurrection: Bom Jesus and the Print Publications of the Nineteenth Century 4. Negative Space and Bom Jesus: Photography as Strategy in Late-Colonial Old Goa 5. Itinerant Saint: The Architecture of Golden Goa and the 1952 Exposition of St. Francis Xavier’s Relics 6. Rain in the Basilica. Index.


Vishvesh Prabhakar Kandolkar is Associate Professor at the Goa College of Architecture, India. His research on Goa’s architectural history focuses on early modern church design as well as the evolution of Indo-Portuguese aesthetics from the colonial to the postcolonial period. His writing has appeared in peer-reviewed journals, including the Journal of the Society of Architectural Historians, Verge: Studies in Global Asias, the Oxford Journal of Hindu Studies, eTropic, the Journal of Human Values, and Economic and Political Weekly.



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