Buch, Englisch, 332 Seiten, Format (B × H): 137 mm x 211 mm, Gewicht: 443 g
Reihe: hors série
Buch, Englisch, 332 Seiten, Format (B × H): 137 mm x 211 mm, Gewicht: 443 g
Reihe: hors série
ISBN: 978-3-03734-217-6
Verlag: Diaphanes Verlag
This volume contrasts a number of recently suggested concepts of the political – each of which connects to certain instances of art and literature in its discourse – with questions concerning the rigidity of those connections: How strongly do such claims to politics depend on their specific examples, what is the scope of their validity to understand art with regard to politics, and how can they help us grasp the political within other pieces of art? In each case, manners of thinking concepts of the political, the mutual resistance of such concepts and their academic treatment, and the turn towards specific readings informed by those concepts converge.
The essays collected in “Thinking Resistances. Current Perspectives on Politics, Community, and Art“ engage with political phenomena in their interrelations with arts as well as with recent theoretical and philosophical perspectives on the very meaning of politics, the political, and community.
With contributions by Armen Avanessian, Friedrich Balke, Judith Butler, Simon Critchley, Anneka Esch-van Kan, Josef Früchtl, Andreas Hetzel, Jon McKenzie, Dieter Mersch, Chantal Mouffe, Maria Muhle, Nikolaus Müller-Schöll, Stephan Packard, Wim Peeters, Jacques Rancière, Juliane Rebentisch, Gabriel Rockhill, Frank Ruda and Philipp Schulte.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Philosophie Sozialphilosophie, Politische Philosophie
- Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
- Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Theorie, Politische Philosophie
- Geisteswissenschaften Philosophie Ästhetik
Weitere Infos & Material
| 9 | - | 16 | Politics and Aesthetics: Introduction | (Anneka Esch-van Kan, Stephan Packard, Philipp Schulte) |
| 19 | - | 24 | Thinking – Introduction | (Stephan Packard) |
| 25 | - | 41 | From the Plebs to the Demos: Two Notions of Political Subjectification | (Maria Muhle) |
| 43 | - | 51 | Democratic Politics in the Age of Post-Fordism | (Chantal Mouffe) |
| 53 | - | 63 | As If We Could Trust: Fiction and Aesthetics of the Political | (Josef Früchtl) |
| 65 | - | 88 | The Political and the Violent: On Resistances | (Dieter Mersch) |
| 89 | - | 100 | All in Good Time? Fiction and the Possibility of Historic Events | (Friedrich Balke) |
| 101 | - | 118 | Doing or Not Doing: Politics, Aesthetics, Performance | (Jacques Rancière) |
| 121 | - | 126 | Resisting – Introduction | (Anneka Esch-van Kan) |
| 127 | - | 136 | Ethical Ambivalence | (Judith Butler) |
| 137 | - | 154 | Thinking Politics Concretely: Negation, Affirmation, and the Dialectics of Dialectics and Non-Dialectics | (Frank Ruda) |
| 155 | - | 162 | Is Utopianism Dead? | (Simon Critchley) |
| 163 | - | 183 | Abu Ghraib and the Society of the Spectacle of the Scaffold | (Jon McKenzie) |
| 185 | - | 199 | "Torture Chicks" – Resistance and the Political in Coco Fusco's "A Room of One's Own" and "A Field Guide for Female Interrogators" | (Anneka Esch-van Kan) |
| 201 | - | 212 | "Prendre la parole": Voices of Resistance in Contemporary Theory | (Andreas Hetzel) |
| 215 | - | 220 | Reading – Introduction | (Anneka Esch-van Kan, Philipp Schulte) |
| 221 | - | 230 | Reading Political Theories (not) Reading: Towards a Contemporary Realism of Reference | (Armen Avanessian) |
| 231 | - | 243 | Contesting "the Democratic Chattering of the Letter": Politics of Commentary in 20th Century Literature | (Wim Peeters) |
| 245 | - | 261 | Realism Today: Art, Politics, and the Critique of Representation | (Juliane Rebentisch) |
| 263 | - | 274 | "Plus d'un rôle": Playing Together in Contemporary Dance, Theatre, and Performance | (Nikolaus Müller-Schöll) |
| 275 | - | 290 | Alternative Genealogies – Critique and Style in Contemporary Performance Art: | (Philipp Schulte) |
| 291 | - | 310 | Why are Story Arcs Dark and Gritty? On the Metaphysics of Seriality in "Dexter" and Kammerer | (Stephen Packard) |
| 311 | - | 323 | Critical Reflections on the Ontological Illusion: Rethinking the Relation between Art and Politics | (Gabriel Rockhill) |
