Buch, Englisch, 280 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 413 g
Reihe: Routledge Critical Junctures in Global Early Modernities
Imagining Sex and the Visceral in Premodern and Early Modern Spanish Cultural Production
Buch, Englisch, 280 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 413 g
Reihe: Routledge Critical Junctures in Global Early Modernities
ISBN: 978-0-367-64171-9
Verlag: Routledge
Zielgruppe
Postgraduate
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren
- Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Prostitution und Sexindustrie: Soziale & Ethische Themen
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Weltgeschichte
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Nachschlagewerke
- Geisteswissenschaften Literaturwissenschaft Europäische Literatur
- Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
- Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Erotische Kunst
- Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
Weitere Infos & Material
Introduction Rethinking the Pornographic in Pre-modern and Early Modern Spanish Cultural Production
Nicholas R. Jones, Bucknell University and Chad Leahy, University of Denver
Part One
Pornographic Hispanisms:
Canon Formation, Erotic Concepts
Chapter 1 "¿Una paja mental?": The Fiction of Friction in the Arcipreste de Hita’s Story of Pitas Payas
Ross Karlan, Geffen Academy at UCLA
Chapter 2 Celestina, Prostitution, and Canonicity—or, the Book as Brothel
Emily C. Francomano, Georgetown University
Chapter 3 "Y assí su alma con su mármol arde": Garcilaso de la Vega and Renaissance
Erotica
Casey R. Eriksen, Shenandoah University
Chapter 4 Witty and Brief Eroticism: The Epigrams of Baltasar del Alcázar
J. Ignacio Díez, Universidad Complutense de Madrid
Chapter 5 Cervantine Obscenity in Translation
Sherry Velasco, University of Southern California
Chapter 6 Dys/Eu-phemisms: The Pornographic and the Erotic in 18th-Century Spanish
Poetry
Elena Deanda-Camacho, Washington College
Part Two
On the Visceral and its (Dis)Contents
Chapter 7 On Thresholds, Pygmalionesque Fantasies, and the ‘lascivo impulso’ in Erotic Poetry
Alani Hicks-Barlett, Brown University
Chapter 8 Picarasploitation: From the Early Modern Period to the 80’s Spanish TV
Series
Enriqueta Zafra, Ryerson University
Chapter 9 "Tan mal francés como gastas": Syphilis in the Poetry of Quevedo
Adrián J. Sáez, Università Ca’ Foscari Venezia
Chapter 10 María de Zayas and Woman-Authored Pornography
Margaret Boyle, Bowdoin College
Part Three:
Haptic Arousals, Titillating the Senses
Chapter 11 "Cuando te tocares, niña": An Approach to Images of Masturbation in Medieval and Early Modern Spanish Poetry
Álvaro Piquero, Universidad Complutense de Madrid / Fundación Ramón Menéndez Pidal
Chapter 12 Pornophonic Noise and the Erotics of Listening in Juan Pérez de Montalbán’s La
mayor confusion
Víctor Sierra Matute, New York University
Chapter 13 Materializing Desire in Two Literary Traditions: Celestina and the Romance of
the Western Chamber
Yang Xiao, Zhejiang University
Chapter 14 Police Voyeurism in Enlightenment Mexico City
Nicole von Germeten, Oregon State University