Gender and Islam in Indonesian Cinema

1. Auflage 2017
ISBN: 978-981-10-2172-5
Verlag: Springer Nature Singapore

Buch, Englisch, 207 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 3896 g

Reihe: Gender, Sexualities and Culture in Asia

This book presents a historical overview of the Indonesian ?lm industry, the relationship between censorship and representation, and the rise of Islamic popular culture. It considers scholarship on gender in Indonesian cinema through the lens of power relations. With key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, Indonesia cinema resonates with the socio-political changes and upheavals in Indonesia’s modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia. Offering cutting edge accounts of the production of Islamic cinema, this new book considers gendered dimensions of Islamic media creation which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.

Zielgruppe

Research

Autoren/Hrsg.

Izharuddin, Alicia

Fachgebiete

• Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Sozialethnologie: Familie, Gender, Soziale Gruppen
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Geisteswissenschaften Islam & Islamische Studien Islam & Islamische Studien
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie

Inhaltsverzeichnis

Gender and the divine pleasures of the cinema.- Dakwah at the cinema: identifying the generic parameters of Islamic films.- Visualising Muslim women and men: a longue durée.- Gender, Islam and the nation in New Order Islamic films.- Empowered Muslim femininities?: representations of women in post-New Order film Islami.- Poor, polygamous but deeply pious: Muslim masculinities in post-New Order film Islami.

Über Autor(innen)

Alicia Izharuddin is a Senior Lecturer in Gender Studies at the Faculty of the Arts and Social Sciences, University of Malaya, in Malaysia. She received her PhD in Gender Studies from the School of Oriental and African Studies, University of London, UK, in 2014 and her research focuses on gender and sexuality in Malaysia and Indonesia from a feminist perspective.