Iskin | Mary Cassatt between Paris and New York | Buch | 978-0-520-35545-3 | sack.de

Buch, Englisch, 344 Seiten, Cloth Over Boards, Format (B × H): 262 mm x 184 mm, Gewicht: 1084 g

Iskin

Mary Cassatt between Paris and New York

The Making of a Transatlantic Legacy

Buch, Englisch, 344 Seiten, Cloth Over Boards, Format (B × H): 262 mm x 184 mm, Gewicht: 1084 g

ISBN: 978-0-520-35545-3
Verlag: University of California Press


"An authoritative, beautifully illustrated study."—Kirkus Reviews

The first comprehensive study of Cassatt’s life, work, and legacy through the prism of a transatlantic framework.
 
This book re-envisions Mary Cassatt in the context of her transatlantic network, friendships, exhibitions, politics, and legacy. Rather than defining her as either an American artist or a French impressionist, author Ruth E. Iskin argues that we can best understand Cassatt through the complexity of her multiple identifications as an American patriot, a committed French impressionist, and a suffragist.
 
Contextualizing Cassatt’s feminist outlook within the intense pro- and anti-suffrage debates in the United States, Iskin shows how these impacted her artistic representations of motherhood, fatherhood, and older women. Mary Cassatt between Paris and New York also argues for the historical importance of her work as an advisor to American collectors, and demonstrates the role of museums in shaping her legacy, highlighting the combined impact of gender, national, and transnational dynamics.
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Contents

Preface and Acknowledgments 

Introduction 
1. Cassatt’s Transatlantic Network 
2. Cassatt and Louisine Havemeyer: Collaboration, Suffrage, Alliance, and Affective Bond 
3. Cassatt and Degas: Camaraderie, Conflict, and Legacy
4. Cassatt’s Transatlantic Feminism 
5. Cassatt’s Art and the Suffrage Debates of Her Time
6. The 1915 Cassatt and Degas Exhibition in New York
7. Cassatt’s Legacy: Art Museums and National Identity 

Abbreviations 
Notes
Selected Bibliography 
List of Illustrations 
Index


Ruth E. Iskin is author of Modern Women and Parisian Consumer Culture in Impressionist Painting and The Poster: Art, Advertising, Design, and Collecting, 1860s–1900s, editor of Re-envisioning the Contemporary Art Canon, and coeditor of Collecting Prints, Posters, and Ephemera. She is Professor Emerita at Ben-Gurion University of the Negev. Her work has been translated into eight languages.


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