Modern British Drama

The Twentieth Century
2. Auflage 2011
ISBN: 978-0-521-81651-9
Verlag: Cambridge University Press

Buch, Englisch, 600 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 1119 g

revised and updated version of Modern British Drama, 1890-1990, now covering the whole twentieth century, this is the first one-volume analysis of English playwriting to cover the most exciting and productive period in British Theatre from its inception to today. Through detailed discussions of major dramatists and plays, Innes traces the evolution of modernism from Bernard Shaw to Patrick Marber and Sarah Kane, and theatrical developments over the whole century. Includes information on the social and political environment surrounding the plays, first productions, and critical reception, plus chronology, illustrations from key performances, lists of playwrights and works, and selective bibliographies. An invaluable guide for students, theatre-goers and theatre historians.

Autoren/Hrsg.

Innes, Christopher

Innes, C. D.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

List of illustrations; Acknowledgements; Chronology; 1. Contexts; 2. Defining modernism: George Bernard Shaw; 3. Social themes and realistic formulae [playwrights discussed include: Granville-Barker, Workers' Theatre Movement; Rattigan; Osborne; Wesker; Brechtian influences; Arden; Bond; Edgar; Brenton; Hare; Gems]; 4. The comic mirror - tradition and innovation [playwrights discussed include: Maugham; Coward; Travers; Orton; Beckett; Pinter; Barnes; Griffiths; Ayckbourn; Frayn; Stoppard; Marber]; 5. Poetic drama - verse, fantasy and symbolic images [playwrights discussed include: Barrie; Priestley; Auden; Isherwood; Eliot; Fry; Shaffer; Whiting; Rudkin; Barker; Churchill; Kane; McBurney]; Bibliographies; Index.

Über Autor(innen)

Innes, Christopher
Christopher Innes is one of the leading experts in the field of modern British drama studies and he has written and published extensively in this and related areas. His books include Piscator's Political Theatre, Modern German Drama, Holy Theatre, Edward Gordon Craig, Avant Garde Theatre: 1892-1992, and A Sourcebook on Naturalistic Theatre, as well as Modern British Drama: 1890-1990. Professor Innes also serves as the General Editor for the Cambridge University Press series Directors in Perspective, and holds the Canada Research Chair in Performance and Culture.