Geopolitics and the Event

Rethinking Britain's Iraq War Through Art
1. Auflage 2019
ISBN: 978-1-119-42600-4
Verlag: Wiley

Buch, Englisch, 240 Seiten, Format (B × H): 152 mm x 231 mm, Gewicht: 476 g

An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art.
- Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first century
- Advances an original perspective on Britain’s role in the 2003 invasion and subsequent occupation of Iraq
- Maps out new ways of thinking about geopolitical events through art
- Examines the work of artists, curators and activists in light of Britain’s role as a colonial power in Iraq and the importance of oil
- Reflects on the significance, limits and dilemmas of art as a form of critical intervention
- Questions the implications of art in colonialism and modernity

Autoren/Hrsg.

Ingram, Alan

Fachgebiete

• Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Studien zu einzelnen Ländern und Gebieten
• Geowissenschaften Geographie | Raumplanung Humangeographie Politische Geographie
• Sozialwissenschaften Politikwissenschaft Internationale Beziehungen Geopolitik

Inhaltsverzeichnis

List of Figures vi

Series Editor’s Preface vii

Acknowledgements viii

1 Introduction 1

2 Thinking Geopolitics Through the Event 16

3 Artworks as Evental Assemblages 35

4 Geopolitics at the Museum 57

5 Iraq Beyond Iraq 89

6 Geopolitical Aesthetics of Oil 117

7 Photomontage as Geopolitical Form 140

8 Geopolitical Bodies 163

9 Conclusions 188

References 196

Index 216

Über Autor(innen)

Alan Ingram is Associate Professor in the Department of Geography at University of College London where he teaches political geography. He has published widely on geopolitics, biopolitics, aesthetics and related themes.