Ingham | Stage and Screen Concepts | E-Book | sack.de
E-Book

E-Book, Englisch, 238 Seiten

Ingham Stage and Screen Concepts

Transmediality in Theory and Practice
Erscheinungsjahr 2016
ISBN: 978-1-317-55520-9
Verlag: CRC Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

Transmediality in Theory and Practice

E-Book, Englisch, 238 Seiten

ISBN: 978-1-317-55520-9
Verlag: CRC Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)



While film and theatre studies have established their own critical terms and theoretical frames of reference, the potential for dialogue and reciprocity between these two art forms is often undermined by the absence of a shared vocabulary. This book sets out to remedy this by comprehensively and systematically mapping out a transmedial space in which both film and theatre can be discussed. This approach also produces a valuable framework for understanding and evaluating the processes and products involved in stage-to-screen and screen-to-stage transfer by drawing upon the discipline of adaptation; a commercially vibrant, artistically rich but analytically imprecise domain. Keywords and critical terms form the central structure of this study, helping to root the areas of commonality between film and theatre in relevant, applied contexts. Students and scholars of film, literature and theatre will find fresh insights into the ways in which their respective media communicate dramatic performances and the various interfaces between these closely related disciplines.

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Autoren/Hrsg.


Weitere Infos & Material


1. The Creative-Critical-Historical Context 2. Theatred Film: Theatricality and Image 3. Screening the Stage 4. Staging the Screen 5. Envisaging the Stage 6. Broadcasting the Stage 7. Eliding the Stage 8. Crossing the Stage 9. Glossary of terms


Michael Ingham is as Associate Professor in the Department of English Studies at Lingnan University, Hong Kong. His areas of expertise and film and theatre studies, adaptation studies and documentary film studies. He is a founder member of Theatre Action, a drama group specializing in action research on literary drama texts and intercultural adaptations.



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