Disguise on the Early Modern English Stage

1. Auflage 2016
ISBN: 978-1-138-25793-1
Verlag: Routledge

Buch, Englisch, 180 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 286 g

Reihe: Studies in Performance and Early Modern Drama

Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.

Autoren/Hrsg.

Hyland, Peter

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft

Inhaltsverzeichnis

Contents: Introduction; Disguise on the early modern stage; The performance of disguise; ''Tis I': revelations; Disguise and genre; Disguise as metatheatre; The reception of disguise; 'Now am I most like myself': disguise and identity; Bibliography; Index.

Über Autor(innen)

Peter Hyland, Professor of Early Modern Literature and Drama, Huron University College, The University of Western Ontario, Canada.