Enacting the Worlds of Cinema

Erscheinungsjahr 2022
ISBN: 978-0-19-755510-1
Verlag: Oxford University Press

Buch, Englisch, 216 Seiten, Format (B × H): 157 mm x 229 mm, Gewicht: 454 g

Enacting the Worlds of Cinema offers a substantial reconfiguration of the textual roots of modern film narratology. By giving sustained attention to cinema's material-affective modes of communicating its stories and embedding its audience in atmospheric, kinetic, and multisensorial worlds, this book maintains that film narratives are less representations than they are enactments; brought forth through the interactions of the felt body and the film material. The book defends this enactive and media-anthropological thesis by reworking a series of established film narratological key concepts including the diegesis, mood/atmosphere, and the distinction between diegetic and non-diegetic sound. In the process, this book draws on a wide range of contemporary theoretical resources such as affective neuroscience, media-philosophy, philosophy of mind, atmosphere research, multisensory perception theory as well as a broad selection of films including Berlin: Symphony of a Great City (Ruttmann, 1927), The Cranes are Flying (Kalatozov, 1957) and Happy as Lazzaro (Rohrwacher, 2018).

Autoren/Hrsg.

Hven, Steffen

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik

Über Autor(innen)

Steffen Hven currently lectures in Film Studies at the Freie University of Berlin. He has previously been a Visiting Fellow at the Cinepoetics and the University of Chicago and an Associate Postdoc at the Bauhaus-Universität Weimar, where he also obtained his PhD in Film Studies in 2015. He is the author of Cinema and Narrative Complexity: Embodying the Fabula (2017) and his work has been published in journals such as NECSUS, 16:9, and Fata Morgana. He has been awarded research grants from foundations such as the German Research Foundation, the Fritz Thyssen Foundation, and the Bauhaus Research School.