Huvenne The Audiovisual Chord

Embodied Listening in Film
1. Auflage 2022
ISBN: 978-981-19-4807-7
Verlag: Springer Singapore
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 317 Seiten, eBook

Reihe: Palgrave Studies in Sound

This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.

Zielgruppe

Research

Autoren/Hrsg.

Huvenne, Martine

Inhaltsverzeichnis

Introduction.- Part I.- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.”.- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion.

Über Autor(innen)

Dr. Martine Huvenne retired after a career teaching and researching in the audio-visual field. She was a senior lecturer in Sound and Music for Film at the Kask & Conservatorium (Hogent-Howest), Belgium, where she developed a phenomenological approach to music and listening.