Cinematic Algorithms

The Rise of Generative AI in Video Art and Visual Culture
1. Auflage 2025
ISBN: 978-1-032-98777-4
Verlag: Taylor & Francis Ltd (Sales)

Buch, Englisch, 226 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 494 g

This book explores the groundbreaking integration of generative artificial intelligence into filmmaking and visual storytelling. From democratizing video production to reshaping aesthetics, this book highlights the creative revolution AI offers. Through case studies, interviews with innovative artists, and historical perspectives, it examines how intelligent systems enhance creativity while challenging traditional notions of authorship and originality. With practical guides and forward-looking insights, this volume is essential for anyone curious about the intersection of technology and visual culture, offering a vivid portrait of the future of storytelling in an AI-driven world.

Zielgruppe

Academic, Postgraduate, and Professional Reference

Autoren/Hrsg.

Hutson, James

Smith, Andrew

Fachgebiete

• Mathematik | Informatik EDV | Informatik Technische Informatik
• Technische Wissenschaften Elektronik | Nachrichtentechnik Elektronik
• Mathematik | Informatik EDV | Informatik Professionelle Anwendung
• Mathematik | Informatik EDV | Informatik Daten / Datenbanken
• Mathematik | Informatik EDV | Informatik Informatik Künstliche Intelligenz Maschinelles Lernen

Inhaltsverzeichnis

Dedication. Epigraph. Preface. Acknowledgements. 1. Introduction to AI in Video Production. 2. The Art and Ethics of AI-Generated Filmmaking. 3. Historical Context and Theoretical Perspectives. 4. Case Studies: Contemporary Video Artist-Filmmakers. 5. Practical Guide to Workflows for AI Video Creation. 6. The Future of AI in Film and Visual Culture. Index.

Über Autor(innen)

Dr. James Hutson specializes in multidisciplinary research that encompasses artificial intelligence, neurohumanities, neurodiversity, immersive realities, and the gamification of education. Earning a Bachelor of Arts in Art from the University of Tulsa, a Master of Arts in Art History from Southern Methodist University, and a Ph.D. in Art History from the University of Maryland, College Park, he later acquired additional Master's degrees in Leadership and Game Design from Lindenwood University and additional PhD in Artificial Intelligence at Capitol Technology University (2023). Over the span of his academic career since 2006, Hutson has held various pedagogical and administrative positions across five universities, including Chair of Art History, Assistant Dean of Graduate and Online Programs, and most recently, Lead XR Disruptor and Department Head of Art History, AI, and Visual Culture. Notably, his scholarly portfolio includes several books on the application of artificial intelligence in education and cultural heritage, such as Creative Convergence: The AI Renaissance in Art and Design (2024), as well as numerous articles and case studies.

Prof. Andrew Allen Smith serves as Program Coordinator for Social Media Marketing at Lindenwood University, where he is also an Associate Professor in the College of Arts and Humanities. With a focus on media literacy, digital content creation, and social media strategy, Smith teaches courses that equip students with the tools necessary to thrive in the digital landscape. His expertise spans a range of subjects including content-driven social media marketing, personal branding, and the intersection of media and contemporary culture. Outside of academia, Smith is involved in several creative initiatives, such as FORGOTTEN_VCR, an interactive Twitch livestream showcasing lost and obscure media which he produces, edits, and hosts. His work in this area highlights his commitment to fostering artistic talent while also promoting digital literacy in his professional and academic roles.