E-Book, Englisch, 1672 Seiten, Format (B × H): 156 mm x 234 mm
Hughes SAGE Visual Methods
Four-Volume Set
ISBN: 978-1-4462-7595-5
Verlag: SAGE Publications
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
E-Book, Englisch, 1672 Seiten, Format (B × H): 156 mm x 234 mm
Reihe: SAGE Library of Research Methods
ISBN: 978-1-4462-7595-5
Verlag: SAGE Publications
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
In contemporary Western societies, the visual domain has come to assume a hitherto unprecedented cultural centrality. Daily life is replete with a potentially endless stream of images and other visual messages: from the electronic and paper-based billboards of the street, to the TV and Internet feeds of the home. The visual has become imbued with a symbolic potency, a signifying power that seemingly eclipses that of all other sensory data.
The central aim of this four-volume collection is to explore key approaches to visual research methods and to consider some of the core principles, issues, debates and controversies surrounding the use of visual techniques in relation to three key enterprises: 1) documentation and representation; 2) interpretation and classification and 3) elicitation and collaboration.
Volume One: Principles, Issues, Debates and Controversies in Visual Research serves as a theoretical backdrop to the field as a whole. It introduces core epistemological, ethical and methodological debates that effectively cut across the four volume collection as a whole.
Volume Two: Documentation and Representation illustrates approaches to visual documentation and representation, from classical documentaries to contemporary, state of the art modes of visual anthropology and ethnography.
Volume Three: Interpretation and Classification examines core debates surrounding and approaches to visual analysis.
Volume Four: Elicitation and Collaboration explores participative approaches to visual inquiry.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
VOLUME ONE: PRINCIPLES, ISSUES, DEBATES AND CONTROVERSIES IN VISUAL RESEARCH
Theory and Practice of Visual Sociology - Leonard Henny
The Use of Photographs in a Discipline of Words - Michael Ball and Gregory Smith
The Place of Visual Data in Social Research - Marcus Banks
A Brief History
Technologies of Realism? Ethnographic Uses of Photography and Film - Michael Ball and Gregory Smith
The Visual in Ethnography - Sarah Pink
Photography, Video, Cultures and Individuals
Putting Visual Data into Focus - Michael Emmison and Philip Smith
Visual Approaches - Paula Reavey and Katharine Johnson
Using and Interpreting Images
Visual Sociology Reframed - Luc Pauwels
An Analytical Synthesis and Discussion of Visual Methods in Social and Cultural Research
'Creative' Visual Methods in Media Research - David Buckingham
Possibilities, Problems and Proposals
The Truthful Messenger - Sally Galman
Visual Methods and Representation in Qualitative Research in Education
Looking at and Looking back - Lesley Murray
Visualization in Mobile Research
Participatory Research and the Philosophy of Social Science - Mary van der Riet
Beyond the Moral Imperative
On a Pedagogy of Ethics in Visual Research - Claudia Mitchell
Who's in the Picture?
Visual Research Ethics at the Crossroads - Rose Wiles, Andrew Clark and Jon Prosser
Legal Issues of Using Images in Research - Jeremy Rowe
VOLUME TWO: DOCUMENTATION AND REPRESENTATION
Constructing Credible Images - Jon Wagner
Documentary Studies, Social Research and Visual Studies
Seeing Is Believing - Sandra Mathison
The Credibility of Image-Based Research and Evaluation
Working with Images in Daily Life and Police Practice - Michael Ball
An Assessment of the Documentary Tradition
Picture This - Angela Bolton, Christopher Pole and Phillip Mizen
Researching Child Workers
Using Photography in Studies of Immigrant Communities - Steven Gold
Framing Photographic Ethnography - Douglas Harper
A Case Study
Picturing Experience - Joy Sather-Wagstaff
A Tourist-Centred Perspective on Commemorative Historical Sites
Picturing Validity - Cate Watson
Auto-Ethnography and the Representation of Self?
Images of Torture - Eammon Carrabine
Culture, Politics and Power
Images without Words - Margaret Conkey
The Construction of Pre-Historic Imaginaries for Definitions of 'Us'
Comments on Elias's 'Scenes from the Life of a Knight' - Eric Dunning
Behind the Scenes - Radhamany Sooryamoorthy
Making Research Films in Sociology
Work and the Moving Image - Jon Hindmarsh
Past, Present and Future
Using Video to Investigate Pre-School Classroom Interaction - Rosie Flewitt
Education Research Assumptions and Methodological Practices
The Body and the Senses - Stephanie Merchant
Visual Methods, Videography and the Submarine Sensorium
Making Sense of Place - Kimberly Powell
Mapping as a Multisensory Research Method
Mediational Techniques and Conceptual Frameworks in Archaeology - Timothy Webmoor
A Model in 'Mapwork' at Teotihuacán, Mexico
Multimodal Ethnography - Bella Dicks, Bambo Soyinka and Amanda Coffey
When Words Fail Us - Frank Sligo and Elspeth Tilley
Using Visual Composites in Research Reporting
VOLUME THREE: INTERPRETATION AND CLASSIFICATION
Reading Pictures - Marcus Banks
Symbolist and Structuralist Analysis of Visual Representations - Michael Ball and Gregory Smith
Content Analysis of Visual Images - Philip Bell
The Abu Ghraib Torture Photographs - Kari Andén-Papadopoulos
News Frames, Visual Culture and the Power of Images
Semiotics and Iconography - Theo van Leeuwen
All Photos Lie - Barry Goldstein
Images as Data
The Failure of 'The President's Choice' - Erina Duganne
Visual Meaning - Carey Jewitt and Rumiko Oyama
A Social Semiotic Approach
Psychoanalysis - Gillian Rose