Buch, Englisch, 192 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 254 g
Buch, Englisch, 192 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 254 g
ISBN: 978-0-415-09553-2
Verlag: Routledge
In language that is both lucid and theoretically sophisticated, Jean Howard examines the social and cultural facets of early modern theatre. She looks at the ways in which some theatrical practices were deemed deceptive and unreliable, while others were lent legitimacy by the powerful.
An exciting and challenging work by one of the leading writers in the field, The Stage and Social Conflict in Early Modern England is important reading for anyone interested in the period.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatersoziologie, Theaterpsychologie
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik
Weitere Infos & Material
1 RENAISSANCE THEATER AND THE REPRESENTATION OF THEATRICAL PRACTICE A brief for political criticism 2 "SATHANS SYNAGOGUE" The theater as constructed by its enemies 3 ANTITHEATRICALITY STAGED The workings of ideology in Dekker’s The Whore of Babylon Shakespeare’s Much Ado About Nothing 4 THE MATERIALITY OF IDEOLOGY Women as spectators, spectacles, and paying customers in the English public theatre 5 POWER AND EROS Crossdressing in dramatic representation and theatrical 6 KINGS AND PRETENDERS Monarchical theatricality in the Shakespearean history play.
