Buch, Englisch, Band 87, 306 Seiten, Paperback, Format (B × H): 150 mm x 225 mm, Gewicht: 433 g
Reihe: Reimagining Ireland
Theory, Practice, Performance
Buch, Englisch, Band 87, 306 Seiten, Paperback, Format (B × H): 150 mm x 225 mm, Gewicht: 433 g
Reihe: Reimagining Ireland
ISBN: 978-1-78707-372-2
Verlag: Peter Lang
This collection brings together key thinkers, scholars and practitioners who engage with the archive of Irish theatre and performance in terms of its creation, management and scholarly as well as artistic interpretation. New technological advances and mass digitization allow for new interventions in this field. The essays gathered here present new critical thought and detailed case studies from archivists, theatre scholars, historians and artists, each working in different ways to uncover and reconstruct the past practice of Irish performance through new means.
Fachgebiete
Weitere Infos & Material
CONTENTS: Barry Houlihan: Introduction: The Potential of the Archive – Cillian Joy/Tricia O’Beirne: The Abbey Theatre Minute Book Transcription Project: Digitally Reading the Administrative Record of Irish Theatre –Ciara Conway: Staging Absence for Digital Historiography: Feminist Irish Theatre – Martin Bradley/John Cox: The Abbey Theatre Archive Digitisation Project at NUI Galway: Delivering Mass Digitisation of a Multimedia Archive with Positive Academic and Library Impact – Freya Clare Smith/Hugh Denard: Digitally Re-envisioning Lost Theatre Spaces: Dublin’s Theatre Royal – Barry Houlihan: 'Creatures of his Imagination': The Becoming of Plays and the Archive of Thomas Kilroy – Emer McHugh: A Shared Language: Placing and Displacing Shakespeare in the Irish National Theatrical Repertoire – Ruud van den Beuken: 'Three cheers for the Descendancy!': Middle-Class Dreams and (Dis)illusions in Mary Manning’s Happy Family (1934) – Brenda Donohue: Women and the Archive: What Vision of the Present Will Be Preserved for the Future? – Anne Etienne: 'I Remember'; 'I Forget'; 'I Can’t Forget': Oral History, the Archive and Remembering Corcadorca’s The Merchant of Venice – Conor O’Malley: Performing the Troubles at the Lyric Theatre, Belfast, 1969–1981 – Kieran Cronin/Elizabeth Howard: Identity, Legacy and the Official: Power Relations of the Documented and Undocumented in the Red Kettle Theatre Company Archive – Colin Murphy: Sometimes the Archive Lies – David Clare: Compiling a New Composite Draft of J. M. Synge’s When the Moon Has Set.