Theories of Creative Writing Studies

Erscheinungsjahr 2025
ISBN: 978-981-966238-8
Verlag: Springer

Buch, Englisch, 274 Seiten, Format (B × H): 160 mm x 241 mm, Gewicht: 604 g

Reihe: Asian Voices: Interdisciplinary Perspectives on Creative Writing

This book provides a groundbreaking approach to creative writing theory, offering a comprehensive exploration of its core principles and methodologies. Focusing on creative writing as an ontological practice, it redefines the essence of literature and writing, while integrating new perspectives on AI-assisted writing, creative industries, and writing pedagogy. This work combines Chinese and global views to address the pressing need for a systematic theoretical framework in the field of creative writing. It is intended for graduate students, researchers, and educators in creative writing, literary studies, and cultural industries. The book offers valuable insights into the evolving landscape of creative writing theory and its application in education, industry, and culture. Key features include its original theoretical framework, an interdisciplinary approach that connects theory and practice, and the exploration of AI's impact on creative writing. This book is a must-have resource for advancing both academic and practical understanding of creative writing.

Zielgruppe

Research

Autoren/Hrsg.

Hongbing, Ge

Fachgebiete

• Geisteswissenschaften Sprachwissenschaft Schreiben und Publizieren, Kreatives Schreiben
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
• Sozialwissenschaften Pädagogik Pädagogik

Inhaltsverzeichnis

Fundamental Theories and Practices of the Creative Writing Discipline.- The Emergence, Development, and Study of the Creative Writing Discipline in English-Speaking Countries.- Chinese Language Education Reform and Construction of the Creative Writing Discipline in Universities.- Constructing the Theory of Creative Writing Studies with Chinese Characteristics in the NewEra.- Ontological Perspectives in Composition Studies.- Creative Methodology from the Perspective of Creative Writing Studies.- Narratives as Products of Creativity.- From Reading and Interpreting to Reading and Writing Texts.- Creative Reading Theory: Authorial Reading in Creative Writing Studies.- Creativity-Centered Literary Criticism.-Quantitative Analysis of Creative Writing Capacity.- Creative Writing as a Teaching Methodology.- AI Writing: Possibilities and Challenges for Literary Life.- Literature’s Creative Essence and Its Industrialization.- Research on Literature and Literary Activities as Public Cultural ResourcesCreative Writing is “People-Oriented”.- The Creative Gene of the Culture and the Establishment of the Creative Nation.- Transformation of Contemporary Chinese Literature in the Context of a Creative Nation.- The Rise of Comparative Creative Writing Studies.- Creative Writing: Prospects and Approaches of Creation and Construction with Chinese Characteristics.

Über Autor(innen)

Ge Hongbing, Ph.D., is a renowned scholar in Creative Writing Studies and the executive director of the Institute for Chinese Creative Writing at Shanghai University. He has made significant contributions to the establishment of creative writing as an academic discipline in China. With over 30 years of research and teaching experience, he has published numerous works, including the first indigenous textbook on creative writing in China. Professor Ge is a distinguished professor, doctoral supervisor, and president of the World Chinese Creative Writing Association. His research focuses on creative writing theory, writing pedagogy, and the integration of creative writing with cultural industries. He has been a keynote speaker at international conferences and has published widely in both Chinese and English.