Transformational Imagemaking: Handmade Photography Since 1960

1. Auflage 2014
ISBN: 978-0-415-81026-5
Verlag: Taylor & Francis

Buch, Englisch, 256 Seiten, Format (B × H): 221 mm x 284 mm, Gewicht: 953 g

This groundbreaking survey of significant work and ideas focuses on imagemakers who have pushed beyond the boundaries of photography as a window on our material world. Through interviews with more than 40 key artists, this book explores a diverse group of curious experimentalists who have propelled the medium’s evolution by visualizing their subject matter as it originates from their mind’s eye. Many favor the historical techniques commonly known as alternative photographic processes, but all these makers demonstrate that the real alternative is found in their mental approach and not in their use of physical methods. Within this context, photographer and photography historian Robert Hirsch outlines the varied approaches these artists have utilized to question conventional photographic practices, to convey internal realities, and to examine what constitutes photographic reality. Hirsch explores the half-century evolution of these concepts and methodologies and their popularity among contemporary imagemakers who are merging digital and analog processes to express what was thought to be photographically inexpressible.

Read an interview with the author at Photo.net: http://photo.net/learn/photographer-interviews/robert-hirsch

Zielgruppe

General, Postgraduate, Professional, and Undergraduate

Autoren/Hrsg.

Hirsch, Robert

Fachgebiete

• Geisteswissenschaften Kunst Fotografie Fotografie: Ausrüstung & Technik
• Geisteswissenschaften Kunst Fotografie Einzelne Fotografen
• Geisteswissenschaften Kunst Fotografie Fotografie: Geschichte und Sammlungen

Inhaltsverzeichnis

The Photographer’s Hand. West Coast Roots. Ground Breaking Exhibitions. East Coast Makers. Progression. Evolution. Inferences.

Über Autor(innen)

Robert Hirsch is a photographic imagemaker, historian, and writer. Former executive director of CEPA Gallery and now director of Light Research in Buffalo, NY, he has published scores of articles about visual culture and has interviewed many significant photographers of our time. His books include Light and Lens: Photography in the Digital Age; Exploring Color Photography: From Film to Pixels; Photographic Possibilities: The Expressive Use of Equipment, Ideas, Materials, and Processes; and Seizing the Light: A Social History of Photography. A former associate editor for Digital Camera (UK) and Photovision, Hirsch is a regular contributor to Photo Technique. He has also written for Afterimage, exposure, History of Photography, The Photo Review, and World Book Encyclopedia, among others. He has curated over 200 exhibitions, and had many one-person and group shows of his own work. For details visit: www.lightresearch.net