The Generation of Postmemory

Writing and Visual Culture After the Holocaust
Erscheinungsjahr 2012
ISBN: 978-0-231-15653-0
Verlag: Columbia University Press

Buch, Englisch, 320 Seiten, Print PDF, Format (B × H): 151 mm x 226 mm, Gewicht: 436 g

Reihe: Gender and Culture Series

Can we remember other people’s memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large.

In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book’s chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.

Autoren/Hrsg.

Hirsch, Marianne

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Geschichtspolitik, Erinnerungskultur
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Kunst Kunst, allgemein Kunst: Rezeption, Einflüsse und Beziehungen
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Deutsche Geschichte Deutsche Geschichte: Holocaust
• Geisteswissenschaften Kunst Kunst, allgemein Kunstpsychologie und -soziologie
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Museumskunde, Materielle Kultur, Erinnerungskultur
• Geisteswissenschaften Jüdische Studien Geschichte des Judentums Antisemitismus, Pogrome, Shoah

Inhaltsverzeichnis

IntroductionI. Familial Postmemories and Beyond1. The Generation of Postmemory2. What's Wrong With This Picture? with Leo Spitzer3. Marked by MemoryII. Affiliation4. Surviving Images5. Nazi Photographs in Post-Holocaust Art6. Projected Memory7. Testimonial Objects with Leo SpitzerIII. Connective Histories8. Objects of Return9. Postmemory's Archival TurnNotesBibliographyAcknowledgmentsIndex

Leseproben

Read an excerpt from The Generation of Postmemory (to view in full screen, click on icon in bottom right-hand corner):

Über Autor(innen)

Marianne Hirsch is a professor of comparative literature and gender studies at Columbia University. Her most recent books are, with Leo Spitzer, Ghosts of Home: The Afterlife of Czernowitz in Jewish Memory and, with Nancy K. Miller, Rites of Return: Diaspora Poetics and the Politics of Memory. Two of this book's chapters were written with Leo Spitzer, who is also the author of Hotel Bolivia: The Culture of Memory in a Refuge from Nazism and Lives in Between: Assimilation and Marginality in Austria, Brazil, and West Africa, 1780;1945.