Art after the Hipster

Identity Politics, Ethics and Aesthetics
Softcover Nachdruck of the original 1. Auflage 2017
ISBN: 978-3-319-88623-7
Verlag: Springer International Publishing

Buch, Englisch, 150 Seiten, Previously published in hardcover, Format (B × H): 148 mm x 210 mm, Gewicht: 216 g

Examines the hipster in terms of fundamental debates about aesthetics and ethics in contemporary art and visual culture

Investigates the unique paradoxes of the term “hipster”, which is at once an aesthetic stereotype and an ideological mode of deflection

Historicises the hipster in order to grapple with issues of cultural appropriation, identity politics, aesthetic discernment and critical practice, drawing from the legacies of the flâneur, the avant-garde, and the beatnik to illuminate the cultural changes effected by global capitalism and digital technologies

Zielgruppe

Research

Autoren/Hrsg.

Hill, Wes

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Kommunikationswissenschaften Digitale Medien, Internet, Telekommunikation

Inhaltsverzeichnis

1. Introduction: Caring Too Much and Not Enough.- 2. The Twenty-First-Century Hipster.- 3. The Postmodern Hipster.- 4. The Hipster as an Entrepreneur of the Self.- 5. Conclusion.

Über Autor(innen)

Wes Hill lectures in Art History and Visual Culture at Southern Cross University, Australia. Previous publications include Emily Floyd: The Dawn (2014) and How Folklore Shaped Modern Art (2016).