Buch, Englisch, 250 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 521 g
Reihe: Routledge Research in American Literature and Culture
Matter That Complains So
Buch, Englisch, 250 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 521 g
Reihe: Routledge Research in American Literature and Culture
ISBN: 978-0-367-85855-1
Verlag: Routledge
Posthumanism in the Novels of Kurt Vonnegut: Matter That Complains So re-examines the prevailing critical consensus that Kurt Vonnegut was a humanist writer. While more difficult elements of his work have often been the subject of scholarly attention, the tendency amongst critics writing on Vonnegut is to disavow them, or to subsume them within a liberal humanist framework. When Vonnegut’s work is read from a posthumanist perspective, however, the productive paradoxes of his work are more fully realised. Drawing on New Materialist, Eco-Critical and Systems Theory methodologies, this book highlights posthumanist themes in six of Vonnegut’s most famous novels, and emphasises the ways in which Vonnegut troubles human/non-human, natural/artificial, and material/discursive hierarchical binaries
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Sport | Tourismus | Freizeit Humor
- Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften Semiotik
- Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur
- Geisteswissenschaften Literaturwissenschaft Literarische Gattungen
- Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Westliche Philosophie: Neuzeit
- Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
Weitere Infos & Material
Introduction
Section One: Comic Material
Chapter One: Cat’s Cradle: The Life and Times of Ice-nine
Chapter Two: Breakfast of Champions: Rebirth Suspended
Section Two: Environment and Evolution
Chapter Three: Mother Night: A Nation of Two
Chapter Four: Galapagos: Writing on Air
Section Three: Space and Time
Chapter Five: The Sirens of Titan: Matter That Complains So
Chapter Six: Slaughterhouse-Five: "Poo-tee-weet?"
Conclusion