Buch, Englisch, 298 Seiten, Format (B × H): 156 mm x 234 mm
Reihe: Framing Film
Aesthetics of the Archive
Buch, Englisch, 298 Seiten, Format (B × H): 156 mm x 234 mm
Reihe: Framing Film
ISBN: 978-1-041-18785-1
Verlag: Taylor & Francis Ltd
Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress. This is the first book-length study of Morrison's work, covering the whole of his career. It gathers specialists throughout film studies to explore Morrison's aesthetics of the archive-his creative play with archival footage and his focus on the materiality of the medium of film.
Zielgruppe
Academic
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
Weitere Infos & Material
1. Drafts and Fragments, 2. The Film of Her: The Cine-Poet Laureate of Orphan Films(pp. 51-68)
CHAPTER 2 The Film of Her, 3. Ghost Trip, 4. Decasia, 5. The Mesmerist, 6. Light is Calling: Celluloid Dreams, 7. Gotham: Zoetrope, 8. Outerborough, 9. The Highwater Trilogy, 10. Porch, 11. The Future Lasts Long, 12. Who by Water Variations on Matter, 13. Every Stop on the F-Train, 14. Spark of Being, 15. The Miners’ Hymns, 16. Tributes, 17. Just Ancient Loops, 18. The Great Flood, 19. Re-Awakenings: Bill Morrison in Conversation
