Hertzman Making Samba

A New History of Race and Music in Brazil
1. Auflage 2013
ISBN: 978-0-8223-9190-6
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 392 Seiten

By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.

Autoren/Hrsg.

Hertzman, Marc A

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte

Inhaltsverzeichnis

A Note about Brazilian Terminology, Currency, and Orthography ix

Abbreviations xi

Acknowledgments xiii

Introduction 1

1. Between Fascination and Fear: Musicians' Worlds in Nineteenth-Century Rio de Janeiro 17

2. Beyond the Punishment Paradigm: Popular Entertainment and Social Control after Abolition 31

3. Musicians Outside the Circle: Race, Wealth, and Property in Fred Figner's Music Market 66

4. "Our Music": "Pelo telefone," the Oito Batutas, and the Rise of "Samba" 94

5. Mediators and Competitors: Musicians, Journalists, and the Roda do Samba 116

6. Bodies and Minds: Mapping Africa and Brazil during the Golden Age 146

7. Alliances and Limits: The SBAT and the Rise of the Entertainment Class 169

8. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference 194

9. After the Golden Age: Reinvention and Political Change 227

Conclusion 244

Notes 253

Bibliography 299

Index 335

A photo gallery

Über Autor(innen)

Marc A. Hertzman is Assistant Professor of Latin American and Iberian Cultures and Director of the Center for Brazilian Studies at Columbia University.