The Cambridge Companion to the Electric Guitar

Erscheinungsjahr 2024
ISBN: 978-1-009-22445-1
Verlag: Cambridge University Press

Buch, Englisch, 390 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 648 g

Reihe: Cambridge Companions to Music

The electric guitar is one of the most important musical instruments and cultural artifacts of the 20th and 21st centuries and enjoys popularity worldwide. Designed for students, this Companion explores electric guitar technology and performance, and the instrument's history and cultural impact. Chapters focused on the social significance of the electric guitar draw attention to the ways in which gender and race have shaped and been shaped by it, the ecology of electric guitar manufacturing, and the participation of electric guitarists in online communities. Contributions on electric guitar history stretch the chronology backwards in time and broaden our ideas of what belongs in that history, and those addressing musical style investigate the cultural value of virtuosity while providing material analysis of electric guitar technique. The Companion's final section considers the electric guitar's global circulation, particularly in Africa, the Afro-Caribbean, and Southeast Asia.

Autoren/Hrsg.

Herbst, Jan-Peter

Waksman, Steve

Inhaltsverzeichnis

Contributors; 1. Introduction Jan-Peter Herbst and Steve Waksman; Part I. History: 2. The misunderstood history and prehistory of the electric guitar Matthew W. Hill; 3. The electric guitar's 'Golden Age' Steve Waksman; 4. The guitar hero in classic rock John Covach; Part II. Technology and Timbre: 5. They don't make 'Em Like They Used To: Electric Guitar Design 1950–2022 Matt Brounley; 6. Even in the quietest moments: amplifying the electric guitar Kyle Devine; 7. Stompbox revolution: electric guitar pedals and tone Erik Broess; Part III. Musical Style and Technique: 8. Technique vs. Virtuosity in the instrumental gesture: from classical to rock and from rock to contemporary creation Philippe Gonin; 9. The bass guitar in popular music Brian F. Wright; 10. Thumping, glitch, and butterfly tapping: innovations in guitar technique in the new millennium Alexander Paul Vallejo and Jan-Peter Herbst; 11. Rhythm changes: rhythm guitar from jazz to funk Kate Lewis; Part IV. The Electric Guitar in Society; 12. Trailblazers, self-creators, and provers: celebrating women in electric guitar Sue Foley; 13. Black women: race, gender, genre, and the electric guitar Mashadi Matabane; 14. Ecological entanglements: following the electric guitar from factory to forest Chris Gibson and Andrew Warren; 15. Electro-collectives: Virtual guitar communities Daniel Lee; Part V. The Global Instrument: 16. African electrical networks Nathaniel Braddock; 17. Rhythm, rasta, rock, & 'Electric Avenue': the electric guitar in Anglo-Caribbean popular music Mike Alleyne; 18. The electric guitar in Southeast Asia: a serpentine path Rebekah E. Moore; Index.

Über Autor(innen)

Herbst, Jan-Peter
Jan-Peter Herbst is Reader (Associate Professor) in Music Production at the University of Huddersfield. His background as a rock guitarist has led him to specialize in the study of electric guitar playing and rock and metal music production. Herbst has also edited The Cambridge Companion to Metal Music (2023).

Waksman, Steve
Steve Waksman is Elsie Irwin Sweeney Professor at Smith College. He is the author of Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience (1999), This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk (2009), and Live Music in America: A History from Jenny Lind to Beyoncé (2022).