Hennefeld Death by Laughter

Female Hysteria and Early Cinema
1. Auflage 2024
ISBN: 978-0-231-55981-2
Verlag: De Gruyter
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 368 Seiten

Reihe: Film and Culture Series

Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorized and demonized, suppressed and exploited.

Autoren/Hrsg.

Hennefeld, Maggie

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte

Inhaltsverzeichnis

Acknowledgments
Introduction
Part 1: Death by Laughter
1. Hysterical Laughter on the Brink of Enjoyment
2. Female Death by Laughter (Beyond Enjoyment)
3. An All Too Brief History of Laughter and Death
Part 2: Female Hysteria
4. Gaslighting the Libido: Feminist Politics of Madness, Laughter, and Power
5. Laughter: The Forgotten Symptom
6. Mass Hysteria, Collective Laughter, and Affective Contagion
Part 3: Early Cinema
7. Laughter Unleashed: Hysterical Women at the Movies
8. The Visual Cure? Moving Pictures as Neurotic Trigger and Therapeutic Instrument
9. From Mouth to Screen: Laughing Heads in the History of Film
Conclusion: Laughter, Hysteria, Power—Then and Now
Notes
Index

Über Autor(innen)

Maggie Hennefeld is associate professor of cultural studies and comparative literature at the University of Minnesota, Twin Cities. She is the author of Specters of Slapstick and Silent Film Comediennes (Columbia, 2018), co-curator of the silent film collection Cinema’s First Nasty Women (2022), and coeditor of Unwatchable (2019) and Abjection Incorporated: Mediating the Politics of Pleasure and Violence (2020).