Emblems of Eloquence - Opera and Women′s Voices in Seventeenth-Century Venice

1. Auflage 2003
ISBN: 978-0-520-20933-6
Verlag: University of California Press

Buch, Englisch, 405 Seiten, Cloth Over Boards, Format (B × H): 165 mm x 242 mm, Gewicht: 771 g

Opera developed during a time when the position of women—their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality—was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality.

Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts—by Ovid, Virgil, Tacitus, and Diodorus Siculus—form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).

Autoren/Hrsg.

Heller, Wendy

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte Europäische Regional- & Stadtgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikpsychologie, Musiksoziologie
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

List of Illustrations
List of Tables
Preface and Acknowledgments
List of Abbreviations
Editorial Principles

Introduction
1. The Emblematic Woman
2. Bizzarrie Femminile: Opera and the Accademia degli Incogniti
3. Didone and the Voice of Chastity
4. "Disprezzata regina": Woman and Empire
5. The Nymph Calisto and the Myth of Female Pleasure
6. Semiramide and Musical Transvestism
7. Messalina la Meretrice: Envoicing the Courtesan
Conclusions

Notes
Bibliography
Index

Über Autor(innen)

Wendy Heller is Assistant Professor of Music at Princeton University.