Cinema Studies

The Key Concepts
5. New Auflage 2017
ISBN: 978-1-138-66576-7
Verlag: Taylor & Francis Ltd

Buch, Englisch, 630 Seiten, Format (B × H): 138 mm x 216 mm, Gewicht: 1324 g

Reihe: Routledge Key Guides

Cinema Studies: The Key Concepts is essential reading for anyone interested in film. Providing accessible coverage of a comprehensive range of genres, movements, theories and production terms, this is a must-have guide to a fascinating area of study and arguably the greatest art form of modern times.
Now fully revised and updated for its fifth edition, the book includes entries on topics such as:

Acting
Audience
CGI
Convergence
Cult cinema
Digitisation and globalization
Distribution
Experimental film
Transnational cinema
World cinemas

Autoren/Hrsg.

Hayward, Susan (University of Exeter, UK)

Hayward, Susan

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur

Inhaltsverzeichnis

Preface, how to use the book and acknowledgements List of key concepts THE KEY CONCEPTS Bibliography Index of films Name index Subject index

Über Autor(innen)

Susan Hayward is Emeritus Professor of Cinema Studies at the University of Exeter. Her publications include Luc Besson (1998), French National Cinema (second edition, Routledge, 2005), Simone Signoret: The Star as Cultural Sign (2004), Les Diaboliques (2005), Nikita (2010) and French Costume Drama of the 1950s: Fashioning Politics (2010).