Buch, Englisch, 302 Seiten, Format (B × H): 138 mm x 216 mm, Gewicht: 454 g
Culture, Poetics, and Drama
Buch, Englisch, 302 Seiten, Format (B × H): 138 mm x 216 mm, Gewicht: 454 g
Reihe: Garland Studies in the Renaissance
ISBN: 978-1-138-84570-1
Verlag: Taylor & Francis Ltd
The essays represent a plural Renaissance and explore the boundaries between genre and gender, languages and literatures, reading and criticism, the Renaissance and the medieval, the early modern and the postmodern, world and theatre. There is also a plurality of methods that is fitting for the variety of topics and the richness of the Renaissance.
This book is ideal for students of literature and theatre studies.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
1. Reading the Renaissance: An Introduction Jonathan Hart; Part 1: The Text, the Reader, and the Self; 2. Ritual and Text in the Renaissance Thomas M. Greene 3. Reading in the French Renaissance: Textual Communities, Boredom, Privacy Steven Rendall 4. Reading Ultima Verba: Commemoration and Friendship in Montaigne’s Writing Lisa Neal; Part 2: Gender and Genre; 5. Gender Ideologies, Women Writers, and the Problem of Patronage in Early Modern Italy and France: Issues and Frameworks Carla Freccero 6. Female Transvestism and Male Self-Fashioning in As You Like It and La vida es sueno Katy Emck; Part 3: Continuities and Discontinuities; 7. The Ends of Renaissance Comedy Jonathan Hart 8. Troilus and Cressida: Voices in the Darkness of Troy Robert Rawdon Wilson and Edward Milowicki 9. Two Tents on Bosworth Field: Richard III V. iii, iv, v Harry Levin 10. As They Did in the Golden World: Romantic Rapture and Semantic Rupture in As You Like It Keir Elam; Part 4: Anticipations; 11. Noble Deeds and the Secret Singulatiry: Hamlet and Phedre Paul Morrison 12. Narrative and Theatre: From Manuel Puig to Lope de Vega Richard A. Young; Notes; Work Cited; Contributors; Index